Congratulations to our own Lydia Kiesling whose essay “Proust’s Arabesk: The Museum of Innocence by Orhan Pamuk” has taken third place in the 3 Quarks Daily 2010 Prize in Arts & Literature as judged by Robert Pinsky.
Erika Anderson recites her teenage poetry at readings and shares her reasoning for doing so. "I want to live where irony meets kindness, where daring meets bullshit, where everything that failed meets the hope that something might not. I hope my readers do too."
The archives of the British Library have been digitized, and among many other gems is this rejection of George Orwell's Animal Farm by none other than T.S. Eliot, himself: “And after all, your pigs are far more intelligent than the other animals, and therefore the best qualified to run the farm – in fact, there couldn’t have been an Animal Farm at all without them: so that what was needed (someone might argue), was not more communism but more public-spirited pigs.”
"After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of 'realism.' It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop ('this isn’t a story,' 'this is poetry,' 'what is this'), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life." Susan Steinberg asks what happened to American experimental writing.