Like Reading How-To Manuals

Last October marked the release of a new volume in The Cambridge Edition of the Letters of Ernest Hemingway. Spanning three years in the writer’s early twenties, the letters in the volume track events including his first bullfight, the birth of his son Jack and the publication of his first collection of stories and poems. In The New York Review of Books, Edward Mendelson reads through the new volume. This might also be a good time to read our own Michael Bourne on A Farewell to Arms.

“Pop Quiz: Which word is funnier, observe or stalk?” Scott Adams, creator of “Dilbert,” gives some tips on how to write like a cartoonist.

The Canadian writer Mavis Gallant passed away on Tuesday morning at the age of 91. A frequent New Yorker contributor, Gallant published two novels and ten volumes of short fiction in her lifetime, one of which, Home Truths, won the Governor General’s Award. The Globe and Mail’s obituary describes her as having “a journalist’s nose, a cinematographer’s eye and a novelist’s imagination.” (Andrew Saikali wrote about Gallant for The Millions back in 2008.)

“The Dyer visage in repose, its default setting, is that of a man whose jam has regularly been stolen from his doughnut.” Despite how he is prone to frowning, Geoff Dyer believes a smile can make the world a better place.

Despite your lifelong aversion to robots and crash-test dummies, the Uncanny Valley might not actually be real. At Boing Boing, Maggie Koerth-Baker looks at the evidence that unsettling dolls are just that, unsettling.

Recommended Reading: Anna Aslanyan on the challenges of translation and the nonliteral titles of Ferrante’s Neapolitan novels. Pair with Janet Potter’s Millions guide to finding the perfect title for that book in your drawer.