This week has brought new issues of The Quarterly Conversation (including considerations of Herta Müller, Per Petterson, and Jonathan Swift); Lapham’s Quarterly (The Arts & Letters issue, featuring Salman Rushdie); and Triple Canopy (“Hue and Cry”)
You may remember the brouhaha surrounding Bustle, the first website in history to market primarily to women. Now, in this week’s New Yorker, Lizzie Widdicombe profiles the website, which she describes by pointing out that “[its] articles are modest, but the ambitions of its founder, a young Silicon Valley entrepreneur named Bryan Goldberg, are not.”
Read our own Kaila Philo's essay on Toni Morrison's new book The Origin of Others and then pair it with Nell Irvin Painter's reflection on 'Toni Morrison’s Radical Vision of Otherness.' "Morrison’s history of Othering represents an intervention in history on several fronts. Although the theme of desegregating the literary canon reappears in The Origin of Others, times have changed since Playing in the Dark. Surely thanks to the more multicultural, multiracial canon that Morrison helped foster, no respectable version of American literature today omits writers of color."
We’ve written a fair bit about the By the Book series at the Times. You can read a selection of the best entries in a collection published by the paper. This week, the series featured another novel guest: Alan Gilbert, the conductor of the New York Philharmonic. Sample quote: “I don’t seek out books about music. I’ve read them over the years, but somehow, as a genre, it isn’t something I am specifically looking for.”
A few weeks ago, our own Nick Moran wrote about the closing of Maxwell’s, a Hoboken landmark that doubles as a restaurant and concert space. Now, at The Paris Review Daily, Josh Lieberman goes to the venue’s last Feelies concert, pointing out that “in no way is Maxwell’s an ideal place to see a show, except that it is.”