Congratulations to Millions contributor Lydia Kiesling whose thoughtful essay “Proust’s Arabesk: The Museum of Innocence by Orhan Pamuk” was named a finalist for the 3quarksdaily Arts & Literature Prize. And thanks to all the Millions readers who voted for our essays in the first round of the contest.
Congrats Lydia!
Can a Song Stop a War?
“What I’ve found is that a lot of soldiers are surprisingly apolitical. Their reality is, ‘Today I’m going to leave the gate for twelve hours, and I’m going to make it back to the dining facility by sundown with the arms and legs of me and my buddies intact.’ So you say, ‘Well, what about the Project for the New American Century and the preexisting agenda blah blah blah?’ They go, ‘Yeah, that’s cool, but I have to get through today.’ So their reality is not a political reality as much as it’s, ‘If I’m driving by this piece of garbage, will it blow up?'” Revisit this old interview with Henry Rollins over at Guernica Magazine, which manages the nearly impossible: to be both level-headed and political.
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A Not so Steamy First Time
Jesse Bering on his incredibly inelegant first time writing about sex. Cf. his most recent adventures of writing about sex, his new book Why is the Penis Shaped Like That?.
The Future of the University Library
The landscape of university library use is changing, along with the attendant ways in which academics and college students alike do research.
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This Bug’s Life
Tea with beetles, chess and lemonade with butterflies, laundry day with a praying mantis–it’s the stuff of children’s books and the dioramas of San Francisco artist Lisa Wood, now on display at The Gold Bug in Pasadena, CA.
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Amanda Shapiro on Cookbooks as Comfort Reading
Amanda Shapiro makes a case for reading cookbooks for more than just their recipes, especially during a quarantine.
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Remarks on Color
Recommended Reading: On Walter Benjamin and Ludwig Wittgenstein. “They have many things in common, but where they connect most strikingly is in their shared suspicion of theory and their emphasis on the visual.”
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