Congratulations to Millions contributor Lydia Kiesling whose thoughtful essay “Proust’s Arabesk: The Museum of Innocence by Orhan Pamuk” was named a finalist for the 3quarksdaily Arts & Literature Prize. And thanks to all the Millions readers who voted for our essays in the first round of the contest.
Congrats Lydia!
There Goes Ten Minutes of Your Weekend
The visual wizards of Pop Chart Lab have put together yet another mind-bogglingly thorough visual taxonomy. This time, instead of cocktails or monsters, the graphic artists have turned their attention toward “The Magnificent Map of Rap Names.”
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With One Eye Squinted
“I can with one eye squinted take it all as a blessing.” The New Yorker reports on “Flannery O’Connor‘s Manhattan Memorial” and pitch-perfect quotation.
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The New YA Royalty
Move over Shailene Woodley and Jennifer Lawrence because Chloë Grace Moretz is about to become the YA queen. The trailer for her adaptation of Gayle Forman’s If I Stay just came out. Next, she will be trading tearjerkers for dystopias in an adaptation of Rick Yancey’s The 5th Wave.
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Young Blood
Everyone should read this extremely important interview with Matt Gallagher and Phil Klay, two talented writers who are also veterans of the Iraq war. Klay won the National Book Award in 2014 for his collection Redeployment–even Obama loved it. From drone strikes to PTSD to finding purpose after war, this interview covers a lot of bases. Phil Klay’s Year in Reading from 2014 is a little dated but worth a look.
Sinking (and Swimming) as a Debut Novelist
At The Nervous Breakdown Marie Mutsuki Mockett writes about being uninvited from a reading in New York and other obstacles to promoting her first novel, and how she channeled her creativity to take charge of her own PR.
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The IMPAC Dublin Longlist
As of this morning, the 2014 IMPAC Dublin longlist is out, and the titles that made the final cut are an eclectic assortment. The Testament of Mary by Colm Tóibín (which we reviewed) made the cut, as did The Orphan Master’s Son by Adam Johnson (which won the Pulitzer earlier this year) and Bring Up the Bodies by Hilary Mantel (which won the Booker Prize).
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True Writing
“Baldwin understood that if you are going to say something important about the world it is best if you try to say it beautifully. I don’t mean like picking flowers or writing on fancy stationery. I mean how you say it actually makes it a more meaningful piece of writing. I am going to push that further. It makes it a truer piece of writing. What you are saying is: ‘Can I make somebody feel this in a deeper way?’ That was what I was obsessed with.” Over at The Guardian, Ta-Nehisi Coates talks about the success of Between the World and Me and being inspired by his father. Pair with our own Sonya Chung’s essay on David Brooks and Ta-Nehisi Coates.
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