I dare you not to be charmed by Margaret Atwood’s account of becoming a Twitter user. “Despite their sometimes strange appearances, I’m well pleased with my followers.” (via kottke)
Atwood in the Twittersphere
Mailerrific
Electric Literature held a Twitter contest recently in which their followers invented new literary neologisms for a chance to win copies of Carson Mell’s new e-book Saguaro. For my money, the clear winner was “Vonnegutsy: having the fortitude to mix aspects of genre fiction with literary fiction.”
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Second Opinions
How did Herman Melville’s friendship with Nathaniel Hawthorne affect the writing of Moby-Dick? It’s a hard question to answer with any certainty, but Patrick James Dunagan gives it a shot, drawing evidence from Erik Hage’s book on the authors’ relationship. You could also read Hester Blum’s argument that Moby-Dick is the greatest American novel.
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Notebook on Cities and Words
“We believe in the digital with abandon. So when something of artisanal quality is placed in our hands, or we see something hanging on a wall drawn by an actual hand, we feel a little shock. We remember how to feel something. Maybe not quite an emotion, but the touch of paper does something to us. We use our senses again.” Celebrating fifty years of the French publisher L’école des Loisirs, Gnaomi Siemens reflects on the power of hand-drawn images and the future of the book.
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The Twin Wins the IMPAC
The International IMPAC Dublin Literary Award has announced its winner: Gerbrand Bakker’s The Twin. The book was previously on the Best Translated Book Award shortlist. See Also: The IMPAC longlist and shortlist.
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