I dare you not to be charmed by Margaret Atwood’s account of becoming a Twitter user. “Despite their sometimes strange appearances, I’m well pleased with my followers.” (via kottke)
Atwood in the Twittersphere
Margaret Atwood and Philipp Meyer Headed to the TV Screen
Here’s a double-shot of television news: Darren Aronofsky is said to be developing Margaret Atwood’s MaddAdam for HBO, and AMC has ordered an adaptation of Philipp Meyer’s The Son (which has been holding steady on our Top Ten).
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‘A Letter in Living Color’
Says the New York Times: “We recently received, in a tube sent by postal mail, something new in our experience: a 15-foot-long scroll to the editor.” (via @LettersOfNote)
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Force Feeding
“I am uncomfortable in my role as witness.” Nehal El-Hadi writes for The New Inquiry about the online spectacle of black death, exploring what “Black thanatosensitive” user experience design might look like. And ICYMI: our own Ismail Muhammad on Frank Ocean and depictions of the black male body.
On DFW, On Blogging
Practically everyone read Maud Newton‘s riff on David Foster Wallace‘s influence this weekend, but Edward Champion had some issues with it.
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The E-Reader of Sand (II)
Reif Larsen continues our own Mark O’Connell‘s riff on the Borgesian nature of e-readers.
Dear Reader, You are reading
Gawker’s Adrian Chen has uncovered the man who is ultimately behind @Horse_ebooks. If you’re unfamiliar with the constant stream of found poetry that is @Horse_ebooks, you may want to start with this Splitsider essay, which includes a cameo from John Darnielle.