"Bestselling self-published authors attract producers because they have a proven track record if they stay on Amazon sales charts over time." The Guardian considers the Hollywood success of writers such as Andy Weir, E. L. James, and Mark Dawson. And just last year our own Bill Morris wondered why literature was enjoying such a good run out in LaLa Land: "Four novels as source material for Oscar-nominated screenplays? What happened? Did some pixie slip a vial of smart powder into the L.A. drinking water?"
Lots of action with the online mags: There's a new issue of The Hipster Book Club, with a review of Aleksander Hemon's Love and Other Obstacles, and an interview with Glen David Gold. There's a new Quarterly Conversation, which includes Scott Esposito's thoughtful consideration of Cormac McCarthy. Issue 3 of N1BR is out. And the first issue of The Point includes a piece on David Foster Wallace's legacy.Brooklyn gets a new bookstore: Greenlight!Corpus Librus, the BEA editionIn an interview with Ed Champion, Sherman Alexie clarifies his comments about the Kindle being elitist.Tibor Fischer shares a first look at Thomas Pynchon's forthcoming Inherent Vice.The seven types of bookstore customers. (via)An incredible collection of pocket paperback colophons.Coming soon from The Onion, Inventory, a collection of "obsessively specific pop-culture lists."The Ask Metafilter crowd suggests what to read after 2666.For fans of style guides, here's one from The EconomistFOUND Magazine founder Davy Rothbart is crazy about vintage NBA jerseys. (via)Further Reading: Edan's post on gifting books in a digital age generated a bunch of interesting comments. Be sure to check them out. On a related note, in PopMatters, Michael Antman bemoans the disappearance of the "physical manifestations of contemporary culture."
Ayobami Adebayo is interviewed by Abigail Bereola for Hazlitt and it's fantastic. They discuss proverbs, romantic love, sickle cell anemia and writing your first book. "At the risk of sounding very narcissistic, I’m going to say I write for myself ultimately. And maybe my sister. I think that when I’m working, it’s very difficult for me to think about an audience, perhaps because sometimes it gets a bit overwhelming. I’m trying to figure out so many things that I really don’t start thinking about the idea that other people might read this thing until, 'Oh my God, it’s publication day' and I have a panic attack like 'Oh my God, what have I done?' I think the awareness of an audience is something I’m just coming into because this is a first book."