Hyphen Magazine/Asian American Writers’ Workshop are co-sponsoring a short story contest, judged by Alexander Chee and Jaed Coffin. $1,000 prize and publication in Hyphen, open to all U.S. and Canadian writers of Asian descent. Details here.
Asian American Short Story Contest
The Wounded Women
“Women writers who kill themselves—are somehow perpetually on display, or even on trial. They must answer for their art and their final act against the world and their husbands and children, born and unborn,” Kevin Kanarek said in a Rumpus interview about his mother, Pamela Moore. Her 1956 novel, Chocolates For Breakfast, has just been reissued. Pair with: Alison Balaskovits’ post on VICE‘s infamous fashion editorial on the suicides of famous women writers.
The Poetic Meter of a Viral Tweet
Coming Soon: The Future
Lapham’s Quarterly‘s Food issue was a big hit, but their upcoming Future issue looks promising as well.
The Writing Life Fantasy
Admit it, at one point or another you had a certain idea of what a writer’s life looks like. What comes to mind when someone says “I’m a writer?” You may picture a struggling hipster artist who lives in a smal apartment with books everywhere and does nothing but read and write. Rosalie Knecht explores the fascinating idea that we associate certain specific images with the writer lifestyle based off an Anthropologie catalogue. Not convinced? Read it for yourself.
Crossed Lines
In the latest issue of the LRB, Jenny Diski comes to the defense of Liz Jones, a Daily Mail columnist and spiritual sibling to the far-too-beautiful-to-live Samantha Brick. Her takeaway after reading a column that got Jones into hot water? Diski “couldn’t see” what the pilloried writer had done wrong.
I’d Prefer the Footnotes
Recommended Reading: This slick, new, annotated version of Herman Melville’s classic Bartleby, the Scrivener from the folks over at Slate. For more on Bartleby’s occupation of Wall Street, here’s a piece that should suffice.