Have a beer with Joshua Ferris.
Pardon Me, But Are Those Brooklyn Lagers You’re Drinking?
Even If You Lose, You Win
The deadline for BOMB‘s poetry contest — judged by Leaving the Atocha Station author Ben Lerner! — is April 16th. The $20 submission fee should be pretty palatable to everyone because it comes with a subscription to the magazine.
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Once more about Martin Amis, dear friends, once more
Did you dig Mark O’Connell’s review of Martin Amis’s Lionel Asbo so much that you yearn for more? Well, here’s the author’s interview with Capital, and here’s Parul Sehgal’s take on how the book’s “taut mousetrap ready to go off” sadly “never snaps.”
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I’ll take “Maps” for a thousand, Alex.
“Jeopardy!” champion Ken Jennings charts “the wide, weird world of geography” in his latest book Maphead. NPR investigates his process in a “Fresh Air” interview. Scribner Books provides a small sample as well. While discussing the particulars of America’s “Road Geeks,” Jennings makes it clear to this listener that he’d probably be interested in Cynthia Enloe and Joni Seager’s The Real State of America Atlas, which was reviewed by our own Bill Morris last July.
Cetology
Classics Illustrated: Draftsman Matt Kish gives Moby-Dick the Zak Smith treatment.
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British Museum Sound Archive
The Guardian reports that the British Library has made its archive of world and traditional music available online. And it’s free for everyone. What might you hear? “There are Geordies banging spoons, Tawang lamas blowing conch shell trumpets and Tongan tribesman playing nose flutes. And then there is the Assamese woodworm feasting on a window frame in the dead of night.” You might also check out the British Museum’s free online image database. Here you’ll find thousands of images of paintings, etchings, drawings, and artifacts from every country and era of human history, easily searchable by era, country, artist, or subject. In using the database for dissertation research, I also found copyright permissions relatively easy to acquire.
In Moominland
“After [WWII], the other Finnish artists formed themselves into political groups but Tove wasn’t a joiner; besides, the only political activity she enjoyed was tyrant-baiting. She decided to emigrate to the island kingdom of Tonga but the governor wrote back saying there was a housing shortage and she wouldn’t be welcome. So she created her own Tonga: Moominland.” A new biography looks at the “conflicted life” and creative work of Tove Jansson, whose name has appeared several times here at The Millions.
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