New Yorker book critic James Wood dropped in on our “Best of the Millennium” piece on Norman Rush’s Mortals and offered this tidbit, “I think [Rush’s] next book — his first to be set in America — will be unlike anything he has written before.”
“We wanted to show a side of the migration crisis that is rarely portrayed, steering away from the depictions of nameless masses by certain media and politicians,” write the producers of Mr. Gay Syria, a documentary about Syrian refugees and their quest to shine a spotlight on the community of “Syrians who had to run away from war and homophobia,” and who have relocated to Turkey, “a place that did not accept them either.” Now, after two years of work, the filmmakers are raising money to fund post-production and community outreach. You can donate here, and visit their Facebook or Twitter pages for more information.
New this week: All the Light We Cannot See by Anthony Doerr; American Innovations by Rivka Galchen; The Snow Queen by Michael Cunningham; The Temporary Gentleman by Sebastian Barry; An Untamed State by Rumpus editor and Year in Reading alum Roxane Gay; Wonderland by Stacey D’Erasmo; The Painter by Peter Heller; and Friday Was the Bomb by Millions contributor Nathan Deuel.
A few weeks ago, our own Nick Moran wrote about the closing of Maxwell’s, a Hoboken landmark that doubles as a restaurant and concert space. Now, at The Paris Review Daily, Josh Lieberman goes to the venue’s last Feelies concert, pointing out that “in no way is Maxwell’s an ideal place to see a show, except that it is.”