New Yorker book critic James Wood dropped in on our “Best of the Millennium” piece on Norman Rush’s Mortals and offered this tidbit, “I think [Rush’s] next book — his first to be set in America — will be unlike anything he has written before.”
Poet turned playwright Sarah Ruhl’s latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers’ letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven’t already.)
Happy first birthday to Emily Books! The Observer ran a little recap of the book club-slash-store’s lascivious first anniversary party, where Kate Zambreno and Tamara Faith Berger both read from their recent novels. Here’s the Million’s interview with Zambreno, and here’s a #LitBeat from one of Berger’s previous readings from her steamy wonder of a novel, Maidenhead.
Amidst all the sad tales of great bookstores going under, the Strand remains a fixture of the New York lit scene. At Vulture, Chris Bonanos explores the many reasons why the Strand is still afloat, among them the store’s increasing sales of new books. You could also read our own Janet Potter on her lifelong infatuation with bookstores.