New Yorker book critic James Wood dropped in on our “Best of the Millennium” piece on Norman Rush’s Mortals and offered this tidbit, “I think [Rush’s] next book — his first to be set in America — will be unlike anything he has written before.”
Are you a guy with good taste in frames and fiction? Then come to the next I Like Your Glasses: Literary Speed Dating. CoverSpy and Housing Works Bookstore Cafe will be hosting the event on February 12 at the store. Tickets are $15 (including a free drink), but gents can get their tickets for $12 if they use the promotional code “QUEEQUEG.” To see what you’re in for, read our essay on attending the first I Like Your Glasses.
Readers and writers and professors tend to read and talk about the same books over and over again. Moby-Dick? Check. Anna Karenina? Of course. But what about the books that deserve the same attention and love but don’t seem to get it? There are too many to name, of course, but The American Scholar has put together a list of 10 such “neglected classics.”
Football Book Club is back from its relaxing bye week — and in preparation of the impending Environmental End Times, these truly decent, patriotic human beings are reading The Sixth Extinction: An Unnatural History by Elizabeth Kolbert. So pick up your copy today, read along, and learn how we’re fucking up the planet in ways you never even imagined possible. Also: if this week’s book is making you feel slightly depressed and/or down in the dumps and/or bummed, check back with FBC all week for essays on Speak by Louisa Hall.
Out this week: Labor of Love by Moira Weigel; Little Labors by Rivka Galchen; Unforbidden Pleasures by Adam Phillips; Joe Gould’s Teeth by Jill Lepore; Letters to Kevin by Stephen Dixon; and The Fat Artist and Other Stories by Benjamin Hale. For more on these and other new titles, go read our Great 2016 Book Preview.
A couple of weeks ago, I pointed readers to the trailer for Olive Kitteridge, the new HBO show based on the Pulitzer-winning novel by Year in Reading alum Elizabeth Strout. In this week’s New Yorker, Emily Nussbaum sizes up the new series, describing it as a case study in bringing a work of fiction to the screen. “In the course of four hours, the miniseries casts a West Coast spell on scenes of Yankee repression,” she writes.