Over at the handsomely redesigned Open Letters Monthly, yours truly weighs in on William T. Vollmann.
Recommended Listening: Margaret Atwood on her new novel – one of the most anticipated books of 2015, and the fall of realistic fiction. As she explains it, “when there’s perceived instability that’s happening you can’t write [a so-called realistic] novel and have people believe it.”
Dutch researchers are using moistened electrode caps to measure the brain waves, heart rate, galvanic skin response and facial expressions on an author and fifty of his readers. They hope to find patterns “that may help illuminate links between the way art is created and enjoyed, and possibly the nature of creativity itself.”
Out this week: Saint Mazie by Jami Attenberg; Muse by Jonathan Galassi; The Diver’s Clothes Lie Empty by Vendela Vida; Eight Hundred Grapes by Laura Dave; The Unfortunates by Sophie McManus; The Sunlit Night by Rebecca Dinerstein; A Head Full of Ghosts by Paul Tremblay; I’d Walk with My Friends If I Could Find Them by Jesse Goolsby; The Loved Ones by Mary-Beth Hughes; A History of Money by Alan Pauls; Land Where I Flee by Prajwal Parajuly; and Bitter Bronx by Jerome Charyn. For more on these and other new titles, check out our Great 2015 Book Preview.
“Book reviews are another matter, because a bad review has the potential to be far more adversarial: one writer spending years on a book, one reviewer spending days reading it, and a lasting relationship being created between the two in print. Or, perhaps, a history between the two that lends the review a particular piquancy.” An exegesis of the good bad review.