For those who like their celebrity fashion with a voluptuous lashing of satire, this Fug’s for you. Check out the maybe-not-so-pretty fashion blog Go Fug Yourself‘s Grammy Awards coverage–or lack of coverage, as was (quelle suprise!) the case with Britney Spears.
Newsweek names “The Most Dangerous Man in Publishing.”Adam Kirsch interviewed about his new bio of Benjamin Disraeli.”Daily Routines: How writers, artists, and other interesting people organize their days.” (via Jacket Copy)David Horvitz discovers several pages of his writing in this year’s Dave Eggers-edited Best American Nonrequired Reading. He was not told that his work (pulled from his website) would be appearing in the book. Now he is peeved and has made several demands. (No permalinks, so check out the long Dec. 9 entry.) (Thanks Buzz)The LA Times unveils its Favorite Books 2008.Google’s year-end “Zeitgeist” of 2008 search activity. Breaking Dawn the unsurprising top search.Recently discovered aggregators of quality content: The Browser and Give Me Something to Read.This week’s Wikipedia treat: a gem of alternative punctuation: the “irony mark.” In the history section of that entry, take note of the “doubt point, certitude point, acclamation point, authority point, indignation point, and love point.”Scott gets to the bottom of the striking new cover designs on Dalkey Archive Press’ books.NPR features an excerpt from Firmin, a Millions favorite (and former LBC pick) that is soon to be published in a new edition by Delta, a Random House imprint.The Association of American Publishers teams with several celebs to create BooksAreGreatGifts.com and accompanying YouTube vid. “Books make great gifts because they are an amazing way to kill time while your web site is buffering.” – Jon Stewart. (thanks Laurie)
This week in book-related infographics: a look at “What Age Do Writers Publish Their Most Famous Works?” from Electric Literature.
Hollywood is romanticizing the Beat Generation in its recent adaptations of On the Road (trailer here), Big Sur (trailer here), and Kill Your Darlings, and you can blame Millennials. “In casting the authors as eternally and fundamentally adolescent, the recent revival tones down their behavior—both revolutionary and repulsive—as a sort of passing teenage phase,” Jordan Larson argues for The Atlantic.