Here are the first lines of the new Gary Shteyngart novel, Super Sad True Love Story, forthcoming in July: “Today I’ve made a major decision: I am never going to die. Others will die around me. They will be nullified. Nothing of their personality will remain. The light switch will be turned off.”
Jonathan Franzen’s 2011 Kenyon commencement speech, published this weekend in the New York Times, covers love, consumerism, and narcissism in the digital age. If you’re concerned with critical reception, looks like you’re not a creator of “serious art and literature,” in Franzen’s eyes.
Cloud Atlas author David Mitchell and his wife KA Yoshida (who have an autistic son of their own) translated the latest work from Naoki Higashida, who uses an alphabet grid to communicate. The resulting memoir from the thirteen year old boy, The Reason I Jump, is scheduled for an August release. Hari Kunzru has a sneak preview of the book’s cover.
If you’re anything like me, you’re likely to be intrigued by a series with the title Novelists in Restaurants Eating Food. If you’re a lot like me, to the point where it may be a cause for concern, you’ll be doubly intrigued by the prospect of Charles Yu paying a visit to Buffalo Wild Wings. Sample quote: “I’m not sure what I was expecting, but the restaurant simultaneously managed to exceed, disappoint, and exactly meet these expectations.”
A very big week for new books: See Now Then by Jamaica Kincaid; My Brother’s Book, the last book completed by Maurice Sendak before his death in May 2012; How Literature Saved My Life by David Shields; The City of Devi by Manil Suri; a new edition of Breakfast at Tiffany’s & Other Voices, Other Rooms by Truman Capote; The Love Song of Jonny Valentine by Teddy Wayne (see our interview today); P. G. Wodehouse: A Life in Letters; Wise Men by Stuart Nadler; debut novels Autobiography of Us by Aria Beth Sloss and Frances and Bernard by Carlene Bauer; City of Angels, an autobiographical novel by Christa Wolf; and House of Earth, the lost novel of Woody Guthrie.
Jeff Sharlet had a challenge for his creative nonfiction students at Dartmouth College. Sensing that journalism had become too “dull,” too mired in a “culture of professionalism” divided “between reporting and ‘storytelling,’” Sharlet asked his students who didn’t “know [any] better” to create a magazine of their own. The result, 40 Towns, embraces “the right conditions” of literary creation – immersion, journalism, regionalism and “a term of revision” – to present a “collection of documents, artifacts of real life” about the Upper Valley.