FictionDaily tales a page from Arts and Letters Daily and posts links to pieces of fiction found online in three different categories (long, short, and genre) every day.
FictionDaily
Business v. Literature
Have the literati really framed the way we think about capitalism by disparaging business practices? If so, Forbes‘ Bruce Upbin is asking readers for examples of books (other than Mildred Pierce) in which business is portrayed nicely.
Rape-Rape
Jenny Diski‘s personal take on Roman Polanski and rape, at the London Review of Books.
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What Is It Good For?
“War isn’t a destination, nor is it a topic to be mined for scribes with nothing else to say … War can be a subject, like any other, and it can be written about well, and it can be written about poorly.” Here is Matt Gallagher, author of the Iraq-war novel Youngblood, in an interview with J.T. Price at Bomb. Last week, Gallagher interviewed another great young novelist/veteran (and winner of the 2014 National Book Award in fiction), Phil Klay.
The Best of the Best
Authors, including Jennifer Egan, George Saunders, Ali Smith, and our own Chigozie Obioma, chose their Best Books of 2017 in a two-part series for The Guardian. If you enjoyed that list, make sure to check out our Year in Reading: 2017 series all throughout December.
Playing Ball
In the early days of sportswriting, journalists weren’t necessarily focused on soccer, football or even baseball. In the forties, boxing and horse racing were still important beats, and they gave W.C. Heinz the opportunity to build his legacy. In the Times, a review of The Top of His Game, a new collection of the reporter’s sportswriting. You could also read Sebastian Stockman on the problem with sportswriting as a genre.
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Crowdfunding Publishing
There’s been a lot of discussion about self-publishing books, but what about crowdfunding? Online publisher Unbound is proving it could work and has already raised over £1 million and funded 54 books. The model itself couldn’t really be any simpler – “the author pitches an idea and if enough readers support it, the book goes ahead. Once it has been printed, the book’s net profits are then split 50/50.”
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Not for Publication
Here’s a fact that’s either very surprising or not surprising at all: Samuel Beckett didn’t want his letters to see the light of day. He once wrote to Barney Rosset that he didn’t care for “the ventilation of private documents.” Despite this disinclination, his third volume of letters comes out this week, and it includes, as detailed by John Banville in a review for The Irish Times, a letter in which Beckett asks that none of his plays be produced in Ireland. Pair with: our own Matt Seidel on Beckett’s “Echo’s Bones.”
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