The Cleveland Plain-Dealer published an interview with Calvin and Hobbes creator Bill Watterson, reportedly his first since 1989. The Washington Post talked to the Plain-Dealer reporter about how he scored an interview with the reclusive cartoonist.
Bill Watterson Speaks
New McEwan
We recently linked to a new interview with Ian McEwan, whose latest novel The Children Act comes out next week. The LA Times has a full review of the new book, and the piece pairs well with Charles-Adam Foster-Simard‘s review of McEwan’s Sweet Tooth. And of course there’s Atonement, which comes up in a variety of Millions articles, from Michael David Lukas‘s essay on the polyphonic novel to Seth Sawyer‘s recent piece on food and reading.
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Face Off: Kardashian/Kahlo
“Where does the line between the self-portrait and the selfie fall? Both Kardashian West and Kahlo are masters of the form—suggesting that perhaps there is no clear line at all.” Anyone who puts Frida and Kim together in an essay, as Sarah Murray has for The Rumpus, has our full and enthusiastic support. Also relevant: Alizah Salario‘s piece about the naming of North West.
An Anonymous Evangelical Poetry Fan
In what might be the first sighting of its kind, an anonymous evangelical poetry fan has made an appearance in the comments of Elizabeth Lucy Conway’s recent essay on teaching poetry.
The Rooster is Nigh
At The Morning News, Rooster hosts Kevin Guilfoile and John Warner lay out “The Pre-Game Primer” for the Tournament of Books. The action kicks off tomorrow.
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The Darkest, Funniest Horse
“As a Pulitzer winner, it’s a unicorn.” For the Washington Post, book critic Ron Charles praised the Pulitzer Prize judges for awarding the Fiction prize to Andrew Sean Greer‘s Less, a comedic, “laugh-till-you-can’t-breathe funny” novel. Pair with: our post with all the 2018 Pulitzer winners.
“A blood-sworn fan”
“So much of the way books get classified has to do with marketing decisions. I think it’s more useful to think of literary books and sci-fi/fantasy books as existing on a continuum. To oppose them, to suggest that one category excludes the other, always feels bogus to me.” Talking with Karen Russell.
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“I noticed a few stains”
“This is minor, but I noticed a few typos. For instance, at various points on pages 144 through 148 and also on page 202, you wrote, ‘All wokr and no play makes Jack a dull boy.’ And on page 308, it’s ‘All work and no play makes Jack a dull Jack.’ If that one’s intentional, it provides a nice break from the preceding 307 pages, and the levity is a nice contrast to the monotony.” Notes on a Jack Torrance manuscript.