3 Quarks Daily is running an Arts & Literature Prize to find the best blog writing in that category. Millions readers, we’d love it if you nominated some of your favorite Millions pieces from the last year for the prize.
Best Arts and Lit Pieces Contest
Nowhere, Indiana
“Only the moon can judge Indiana. It’s a state that mostly gets ignored, and occasionally ridiculed, by the rest of the country, but no matter. Anyone is welcome to come here and see a reflection of themselves in the unlikeliest places, no matter what any law says.” Adam Fleming Petty on “Writing from the Nowhere State.”
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Now That’s a Hiatus
Whenever you feel bad, remember: Tessa Hadley didn’t believe in her work for twenty years.
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“Cultivate Lightness”
What should you do if, horror of horrors, you find yourself appearing as a character in someone else’s book? Michelle Huneven shares her experience being fictionalized in an essay for The Paris Review. Her advice? “Don’t read too much into it. Cultivate lightness.” Pair with our profile of Huneven, “Not Lost, Just Rearranged.”
What Are the Chances?
James Tate’s final poem, which was discovered in his typewriter soon after his death, appears in the spring issue of The Paris Review. Pair with Andrew Kay’s Millions essay on the power of poetry.
In the Pope’s Own Words
Over at Asymptote, Oonagh Stransky talks about the transformative experience of translating Pope Francis. As she puts it, “I not only discovered a gentle, deeply human side to this Pope, I felt something change or soften inside me.”
Tin Man
Sergeant Ed Drew’s tintypes of the war in Afghanistan are the first tintypes made in a combat zone since The Civil War. Drew made them for his son. “I wanted him to know his father in the event that I was killed in action and it became less important that my work was done in tintype than that I could show the humanity of war in the eyes of airmen I fly combat missions with,” he said.
Two-Step
You may have heard that War of the Encyclopaedists is one of those rare novels written by multiple authors. Christopher Robinson and Gavin Kovite worked together to write their debut. In The Guardian, our own Emily St. John Mandel takes a look.
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