Catcher in the Rye author J.D. Salinger has died at 91. Update: The New Yorker has linked to twelve of Salinger’s stories available to subscribers online.
R.I.P J.D. Salinger
Writing the Body
Recommended Reading: E.V. de Cleyre explores the presence of the body in Maggie Nelson’s Bluets, Lidia Yuknavitch’s The Chronology of Water, and Ta-Nehisi Coates’s Between the World and Me.
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Magic: The Gathering as Literature
A D Jameson has been writing daily updates about Magic: The Gathering as literature. Here's part one of his HTMLGiant series. (And here's part two, and here's part three.)
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A New Path to Recognition for Self-Published Authors
Alison Flood highlights a few of the collectives scouring the glut of self-published books in search of gems.
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Salinger’s Lost Writing
J.D. Salinger was apparently "still writing during the decades of his seclusion and amassing a considerable body of work," but what, exactly, was he working on?
Brief Likenesses
“Armand’s characters all seem both hugely present and in life’s juice and simultaneously dead, as if rent of brain, nerves, chest, stomach, intestines … Without gods and devils these patients feel that only fire can save them, existing eternally unless burned away.” Australian novelist Louis Armand’s newest, Abacus, is reviewed by Richard Marshall at 3:AM Magazine.
Tilting at Political Office
"He represents a failure of empiricism — an unreliability arising not from the absence of rationality, but from the stubborn complexity of perception. This, I would argue, is precisely how the 2016 election went down." In an article for The Los Angeles Review of Books, Aaron R. Hanlon argues that Cervantes' classic provides the perfect framework for understanding contemporary America, concluding that "Don Quixote is such a player in US politics that he might as well run for office." Our own C. Max Magee read Quixote not long after founding the site, deeming it "essential to all who wish to understand 'the novel' as a literary form."
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Parenthetical Power
Parentheses aren't just the mark of a lazy or verbose writer. They can also bracket personal pain in a narrative. At The New York Review of Books, Christopher Benfey explores the power of the parenthetical detail, such as Lolita's "My very photogenic mother died in a freak accident (picnic, lightning) when I was three." Pair with: Vulture's "The 5 Best Punctuation Marks in Literature."
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