Catcher in the Rye author J.D. Salinger has died at 91. Update: The New Yorker has linked to twelve of Salinger’s stories available to subscribers online.
Robert Perišic’s Our Man in Iraq made it onto the first installment of our Great 2013 Book Preview. A few weeks ago, Perišic sat down for an interview with John Feffer about ongoing changes in the author’s native Croatia, which recently acceded to the EU as its 28th member state.
Our own Edan Lepucki’s whirlwind tour continues. Her debut novel California landed at number 3 on the Times Bestseller list and she celebrated with a visit to The Colbert Report. There was a bubble wrap drop. New Yorkers can see her tonight at WORD bookstore in Brooklyn and tomorrow at McNally Jackson in Manhattan. See Edan’s events page for the rest of her tour dates.
Move over, “GIF.” (Or, more accurately: animate yourself away from us in an unending loop.) There’s a new Oxford Dictionaries word of the year. Enter, “selfie,” a word of Australian origin that describes an ostensibly new “digital affair, [that’s actually] a novel iteration of an old form: the self-portrait.” (They even come with overarching themes of mortality.)
You may have heard that our own Emily St. John Mandel has a new book on shelves. The book depicts a post-apocalyptic future in which a group of nomadic actors deal with the aftermath of a devastating flu pandemic. Claire Cameron (who’s also written for The Millions) reviews the book for The Globe and Mail.
This week we posted two new #LitBeat features on our Tumblr. In one piece, Greg Cwik roamed Brooklyn as part of The Morley Walk, a tour organized by Melville House’s Dustin Kurtz in order to bring attention to Christopher Morley’s The Haunted Bookshop. In another, Michael Spinelli reports on a conversation between Saïd Sayrafiezadeh and Sam Lipsyte.
“Trusting the literary press and the mechanisms of the market to curate the books we read and study is to hand over whole regions of literary curiosity and judgment before one even picks up a book.” On refusing to read. We’re not prepared to go quite that far, instead preferring our own Sonya Chung‘s practice of not finishing books.