Yann Martel’s anticipated follow-up to Life of Pi, Beatrice and Virgil, now has a cover. Yes, that’s a monkey riding a donkey.
Monkeys and Donkeys
Not to Be Missed
At Slate, our own Mark O’Connell reports back from The Boring Conference, a riveting event that takes place each year in a nondescript hall in East London.
Go to Sleep
If you’re the kind of person who might fall asleep while reading a page-turner, you’re not alone. For Read It Forward, Jonathan Russell Clark writes about the challenge of literary sleepiness. For more of his writing, check out his essay on the art of the final sentence for The Millions.
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The Hated Internet Time Suck
Echoing Kevin Hartnett’s new year’s resolution here at The Millions, Colson Whitehead tells writers to quit bitching about getting distracted by the internet.
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Nerdist Wilco
A Nerdist podcast featuring Wil Wheaton and Wilco’s Jeff Tweedy in which Tweedy discusses his path to becoming a musician, how his kids like having “a rockstar for a dad,” and lets listeners in on their sound check at The Wiltern? Well, there goes your Monday afternoon.
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Poet and Magician
One of the titans of Modernist poetry, Hilda Doolittle, or H.D. to her friends, was psychoanalyzed in the 1930s by none other than Sigmund Freud. Her letters to her friends describe the account in great detail, despite explicit instructions from Freud not to speak about their time together with anyone. This essay from The Millions on video games and Freud is a nice complementary piece.
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Sleeping in the Stacks
It’s not surprising when a graduate student claims to “live in the library,” but an NYU student really does live in the university’s Elmer Holmes Bobst Library. For only $225 a semester, the student rents library cubbies instead of an apartment. The idea isn’t as crazy as it sounds, though, but is a response to the skyrocketing rent in the neighborhood.
A Shape-Shifting Body
Over at The New Yorker, Hilton Als writes about Beyoncé’s Lemonade, Prince, Cecil Taylor, Octavia Butler, and time travel. He writes, “Toward the end of the film, [Beyoncé] moves further back into the past and examines her roots, we see any number of sharply dressed women sitting in the natural world, talking among themselves. This will remind readers of that extraordinary scene in Beloved, when the elder commands those who have gathered in a clearing to love their hands, themselves—because if they don’t, who will?”
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I’m anticipating not reading it.