Yann Martel’s anticipated follow-up to Life of Pi, Beatrice and Virgil, now has a cover. Yes, that’s a monkey riding a donkey.
Monkeys and Donkeys
Salvador Dalí Illustrates the Western Canon
Few people know about Salvador Dalí's illustrations for famous works of the Western canon, including Don Quixote, Macbeth, Paradise Lost, and even The Bible.
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The Me Bird, Animated
18bis, a design and animation studio located in Rio de Janeiro, has animated Pablo Neruda’s homonym poem, “The Me Bird.” Laughing Squid has more information, as well as a behind-the-scenes look at how the video was made.
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The Common’s Postcard Auction
Our friends at The Common have organized a Postcard Auction, and you have until May 20 to bid online. Users can bid on the chance to have well-known authors – such as Adam Johnson, Téa Obreht, Chris Ware, and Kiese Laymon – send handwritten postcards to the address of their choosing. Come on, now. This is your chance to get a handwritten note from an Orange Prize-winner.
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Type Setting
In a clip The Atlantic calls “technology porn for book lovers,” you can see how manuscripts became books in the 1940s.
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The Vaguest Designation
“The wish to be a writer, and the will to be one, solve nothing about how you will live, and don’t even solve anything about how you will write. You have given yourself the vaguest designation.” Kristy Eldredge writes for The Rumpus about drawing inspiration from the unconventional career choices of Year in Reading alum Geoff Dyer, including the New York Times column he almost never wrote. Pair her essay with our own Janet Potter‘s review of Dyer’s latest full-length work, Another Great Day at Sea.
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Write Through It
Julia Heaberlin, whose novel Playing Dead published this week, discusses the not-so-pretty truths of writing, rejection, and perseverance.
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The Song of the Two Walts
Walter White is the new Walt Whitman. “Both are intellectual pioneers in their fields, their legacies—centuries apart—demanding risk, casting them outside of society, gliding out into the world, liberated from societal constraints,” Kera Bolonik writes about Whitman’s influence on Breaking Bad.
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I’m anticipating not reading it.