Alice Herz-Sommer, a 106-year-old Holocaust survivor and the last living person who knew Franz Kafka personally, reminisces about her friend in the Israeli newspaper Haaretz: “Kafka was a slightly strange man…”
We’re pleased as punch to introduce Millions readers to our new interns, Carolyn Quimby and Ariana Valderrama. Arianna is originally from Chicago but is currently based in Washington, D.C. where she works in communications. In high school she started a book blog, Reading in Color, where she reviewed over 200 middle grade and young adult books about people of color. On her nightstand right now: Locking Up Our Own: Crime and Punishment in Black America by James Forman Jr. and White Teeth by Zadie Smith. Carolyn works in academic publishing by day and is a freelance writer and book reviewer by night. Sometimes she dreams about going on a road trip solely dedicated to visiting bookstores, but mostly she tweets at @CarolynQuimby. Currently on her nightstand: Goodbye Vitamin by Rachel Khong and Little Fires Everywhere by Celeste Ng. We couldn’t be happier to have Carolyn and Ariana on board!
Out this week: Modern Lovers by Emma Straub; Some Possible Solutions by Helen Phillips; The Gallery of Lost Species by Nina Berkhout; Robert Parris Moses by Laura Visser-Maessen; Hot Little Hands by Abigail Ulman; and The View from the Cheap Seats: Selected Nonfiction by Neil Gaiman. For more on these and other new titles, go read our Great 2016 Book Preview.
Readers of Millions Originals ebook Epic Fail are deeply familiar with Tommy Wiseau’s heroically bad 2003 film, The Room. So, too, are people masochistic enough to sit through the actual movie. Together, they might be wondering how such a production came to be – and how it came to fail so horribly. Well, finally a new book co-authored by Greg Sestaro and Tom Bissell seeks to answer that question. You can check out an excerpt over here.
Over at Words Without Borders, Esther Allen considers how to translate a song. As she puts it, “A song that almost everyone in a given culture at a given moment knows is a unique cultural artifact, a crystallized collective experience, a profound trigger that sets off a complex string of shared emotions.” Pair with Magdalena Edwards’s Millions essay on songs as triggers.