Poets and Writers sits down with Year in Reading alumnus Saeed Jones to talk writing, publishing, and BuzzFeed. “Creating change is about having a critical mass of several influences, but one is the right people, and creating a space where people feel that they can speak up and have these conversations and experiment.”
So much to hate: The Beast’s 50 Most Loathsome People in America 2008Bookshelves gone wild: Plant your tree of knowledge next to your literary playground.At the Vroman’s Bookstore blog, Patrick talks about why “books need more time,” and looks at how one book is getting more than the one week it was given.n+1 launches N1BR, the book review supplement to n+1. One of the editors is Nikil Saval, who appeared in our Year in Reading series in 2008.The earliest celluloid film (from 1888) can be found – where else – on YouTube. (From The List Universe’s “Top 10 Incredible Early Firsts In Photography“)As if it wasn’t already hard enough to get up for work in the morning: Our world may be a giant hologramJack Shafer responds to David Carr’s call to “invent an iTunes for News.”
Azadeh Moaveni writes about what it was like to own her dog, named London, in Iran: “Most Turks, like most Iranians, recoiled from dogs as though they were grotesque vermin; only ‘guard’ dogs, charged with protecting humans and their goods, were deemed less offensive, though still repellent.” To Moaveni, it was like cultural rebellion.
“The appropriate term for what both [David Foster] Wallace and [Roger] Federer did, however, perhaps isn’t synthesis; more apt would be the Hegelian term, aufheben, which can mean a great many things – to lift up, to abolish, to cancel, to suspend, to sublate, to preserve, to transcend – all at once, where two existing terms are abolished, sublated, transcended by way of the orchestration of a collision between them, out of which a new term emerges, which then itself goes in search of a partner with which to collide.” A really fantastic review of David Foster Wallace’s String Theory from 3:AM Magazine.
Kory Stamper, one of the lexicographers responsible for Merriam-Webster’s dictionary, describes the pleasures and poetry to be found in the Third Edition’s “color definitions.” Take vermillion for example, which is listed as “a variable color averaging a vivid reddish orange that is redder, darker, and slightly stronger than chrome orange, redder and darker than golden poppy, and redder and lighter than international orange.” (Related: how colors got their names; who names colors what.)