Jeff Sharlet traveled to Russia because he “wanted to see what ordinary LGBT life was like in a nation whose leaders have decided that ‘homosexualism’ is a threat to its ‘sexual sovereignty.’” What he found was unsettling and terrifying, but the courage of the LGBT community members he interviewed is also incredibly inspiring. Set aside time to read this one. It’s essential.
At long last Renata Adler’s re-released Speedboat is out from NYRB Classics. The book’s attracted quite a bit of (deserved) pre-release hype. Also out today are a pair of books covered in our Great 2013 Book Preview: Vladimir Nabokov’s The Tragedy of Mr. Morn (no relation to yours truly) and Aleksandar Hemon’s The Book of My Lives. In three days you can get your hands on Kristopher Jansma’s debut novel The Unchangeable Spots of Leopards.
New this week: Academy Street by Mary Costello; The Children’s Crusade by Ann Packer; After the Tall Timber by Renata Adler; Recipes for a Beautiful Life by Rebecca Barry; A Slant of Light by Jeffrey Lent; The Water Museum by Luis Alberto Urrea; All Involved by Ryan Gattis; Odysseus Abroad by Amit Chaudhuri; The Language of Paradise by Barbara Klein Moss; and Ashes in My Mouth, Sand in My Shoes and I Refuse, two books by Per Petterson. For more on these and other new titles, check out our Great 2015 Book Preview.
The recipients of the 2016 Kirkus Prize have been announced, among them the novel The Sport of Kings by C. E. Morgan and In the Darkroom by Susan Faludi, a meditation on her father’s gender transition, in the non-fiction category. We reviewed two of the other fiction finalists this year: Carousel Court (here) and The Underground Railroad (here).
Luke Epplin examines the life and legacy of Stan “The Man” Musial, who died last week. In particular Epplin takes issue with how well-intentioned biographers have, over the years, “effectively turned Musial into a cardboard cutout, a bygone era’s one-dimensional paragon of constancy, stability, community fealty, and humility, devoid of the temperamental shadings that humanize public figures.”