Melissa Hillman, the artistic director at Berkeley’s Impact Theatre, explains “A Common Problem [She Sees] In Plays By Women Playwrights. (It’s Not What You Think.)”
Recommended Reading: This interview from Full Stop with Lisa Hanawalt, producer and production designer of the Netflix series BoJack Horseman: “We aren’t supposed to openly discuss shitting in polite society, so making artwork that frankly portrays it is titillating. I think it’s called ‘desublimation’ in fancy art-school terms, but it’s going back to a childish, playing around in our own muck state, and that’s why it’s as fun and appealing as it is repulsive.”
Three thousand Russians volunteered to proofread “forty-six thousand eight hundred pages” of Leo Tolstoy’s writings over the course of fourteen days. Soon their efforts will be available online for all to see. Meanwhile, Buzzfeed is catching some heat for enlisting the services of unpaid Duolingo students in order to translate site content for Spanish, French, and Brazilian Portuguese readers.
As part of their Sunday Interview series, The Rumpus had a chat with Leslie Jamison, who talked to Martha Bayne about The Empathy Exams, the ubiquity of Frozen and the pathos of Taylor Swift. If you like, you could also take a look at our own Edan Lepucki’s interview with Jamison, or else read Ryan Teitman’s review of The Empathy Exams.
“Many black parents tell black children to strive; to seize opportunities that will enable upward mobility. However, they also give their children a poison capable of eroding black children’s innocence. They tell them to be twice as good; that there is no room for failure or mistakes.” Nicole Dennis-Benn, author of Here Comes the Sun, writes about how black children are denied the privilege of innocence.
A new YA series spun off from The X-Files explores Fox Mulder’s teen years, and you can read the first chapter here. You may also be forgiven for feeling like the entire premise is a bit fraught. Not only is the mental image of Spooky Mulder with acne a tad jarring, but on a more existential level, as Zan Romanoff has written for our site, “there is no such thing as the young adult novel.”