William Blake may have described its “green and pleasant land” but this week England had traded green for white, as you can see in this NASA photograph (c/o Gizmodo).
England’s Green and Pleasant Land
Best Last Lines
The American Book Review has a list (pdf) of the 100 best last lines from novels. I can’t think of mine; I keep getting “last line” confused with “end.” Thoughts? (Thanks Shakesville).
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Big Bird Is Still Employed
Still mourning the end of 2012 Election jokes? The Poetry Foundation is here to help with “Binders Full of Poems by Women.”
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Comic Fans
When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
The Modern Bretteurs
A Russian man was shot last week over an argument about 18th century German philosopher Immanuel Kant. Perhaps this means I need to update my article about the history of the Russian duel.
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The Millions Among the Finalists
A pair of pieces from The Millions are among the finalists in this year’s 3 Quarks Daily Arts and Literature Prize: “Her Story Next to His: Beloved and The Odyssey” by Frank Kovarik and “Reading and Race: On Slavery in Fiction” by our staff writer Edan Lepucki.
“Better yet, Carpe Wallpaper.”
Jessica Probus’ send-up of Charlotte Perkins Gillman’s The Yellow Wallpaper is brilliant. I present The YOLO Wallpaper.
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