Video of Haitian American novelist Edwidge Danticat talking about the earthquake in Haiti at Democracy Now.
“Pink Trance Notebooks is the mind working, is material rising from somewhere deep to be shaped and reshaped into blocks of dreamlike text. It is also surface: material gathered from within reach.” Sarah Gerard at Hazlitt in an interview with Wayne Koestenbaum, whose new book is out in October.
A lot is written about artists just starting their careers, and about those artists with a lifetime of work to look back over, but in a piece for The Enemy Barry Schwabasky considers the difficulty of being somewhere in the middle of an artistic career. After all, “most artists do, for better or worse, live through what’s come to be known as their midcareer. It’s just that they don’t often do so with ease. … The middle of the journey sometimes seems to be all about losing the way.”
“I like a lot of things about being a woman, but there are times and ways it’s a prison, and sometimes I daydream about being out of that prison.” The Guardian has a crack Rebecca Solnit essay about clothing, gender, and of course, mansplaining. Pair with our review of Solnit’s The Faraway Nearby.
“I am sitting at the open window (at four a.m.) and breathing the lovely air of a spring morning. Life is still good, and it is worth living on a May morning – I assert that life is beautiful in spite of everything! … In a word, there are many thorns, but the roses are there too.” These excerpts from Pyotr Ilyich Tchaikovsky’s letters are just gorgeous.
Get Your War On creator and How to Sharpen Pencils author David Rees was recently interviewed about his new show on the National Geographic channel. The premise behind the new venture is simple: “anything in the world that seems like there’s nothing to learn about, that’s what we want to learn about.”