Claudia Roth Pierpont writes about the contemporary Arabic novel in this week’s New Yorker, highlighting Iraqi, Palestinian, and Egyptian examples.
Contemporary Arabic Novels
Typewriter Art
Luddites rejoice! If you still use a manual typewriter, you already know that they’re superior to laptops for writing. Now comes proof that they’re also better at making art than text-based computer art programs like ASCII and its “colored cousin,” ANSI. The video’s narrator tells us, in German, that many of the subjects autographed their typewriter-generated portraits, and the Pope sent a thank you note — and cash!
●
●
Tuesday New Release Day: Wilson; Ackerman; Barry; Barkan; Krivak; Coe
Out this week: Perfect Little World by Kevin Wilson; Dark at the Crossing by Eliot Ackerman; Days Without End by Sebastian Barry; Mexico by Josh Barkan; The Signal Flame by Andrew Krivak; and Number 11 by Jonathan Coe. For more on these and other new titles, go read our most recent book preview.
●
●
Book Burning Reimagined
“In an ironic twist, Super Terrain, a publisher in France, has created a new edition of Bradbury’s classic that actually requires extreme heat in order to be read.” The prototype copy of Fahrenheit 451, which looks fully blacked-out until you apply heat, may be available to the general book-buying public in 2018. Check out: an essay about Ray Bradbury from our archives.
New from Neruda
Then Come Back: The Lost Neruda will compile never-before-seen poems from Pablo Neruda’s archives. “Forrest Gander, the Brown University professor who translated the poems into English, likens the discovery to finding a trove of new sketches by Michelangelo.” Visit Neruda’s home with Luke Epplin.
●
●
Nicole Krauss Needs to Learn How to Relax
Nicole Krauss has taken her family to deserts in Chile, a lice-infested nursery in Tel Aviv, Sarajevo, Capri, and even the Arctic, but she’s never been on a beach vacation. She tries to relax and searches for the meaning of paradise in Turks and Caicos in her essay for Condé Nast Traveler.
●
●
Hear what everyone has to say but don’t listen to anyone (except me).
Suddenly, a Knock on the Door author Etgar Keret shares “Ten Rules for Writers” with Rookie.
●
●
Behind the Red Pen
Last week, our own Edan Lepucki interviewed her copyeditor. This week at Tin House, executive editor Michelle Wildgen reflects on what she has learned from being both an editor and writer. Her biggest discovery: “The whole thing should be a conversation.”