Charles Bock (Beautiful Children), in a recent interview, sounding perturbed: “Where are you right now? I’m in a writer’s room in Manhattan. There’s all these other people with their fucking computers doing their stupid little bullshit. It feels pointless. You wanna feel like it matters. It’s hard to do that when you’re in a room like this. At least it’s quiet.”
Charles Bock Interviewed
The Pathways of an Essay
Recommended Reading: E.V. de Cleyre writes for Ploughshares about the essay form and its familiar shapes.
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True Story
Over at Granta, Melissa Febos writes about truth. As she puts it, “The true telling of our stories often requires the annihilation of other stories, the ones we build and carry through our lives because it is easier to preserve some mysteries.”
Maud Newton Talks to Philip Connors
Today at The Paris Review blog, Maud Newton talks to Philip Connors, author of Millions most-anticipated book Fire Season.
Lambda Award Winners Announced
The Lambda Literary Award winners were announced, including Under the Udala Tree author Chinelo Okparanta, Dawn Lundy Martin, and Hasan Namir.
Where Has the Venom Gone? Pls RT.
Jacob Silverman tackles the niceness epidemic besieging literary criticism at the moment. Where have the hatchet jobs gone? Is social media’s “communalism” robbing critics of their fangs? Each time a publication refuses to print a negative review, the act amounts to “a victory for a publicist, but not for readers,” he writes. (Just a few notes: Silverman’s piece is based on a blog post he wrote recently; Emma Straub has responded on her own blog; and, for what it’s worth, our own Michael Bourne’s recent review of Richard Ford’s Canada was pretty toothy.)
Literature in Emojis
Slate has translated famous first lines of literature into emojis, and they’re surprisingly coherent. Pair with Jonathan Russell Clark‘s essay on opening sentences.
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“The serious critic ultimately loves his subject more than he loves his reader”
Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn’s “Critic’s Manifesto” may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.