Charles Bock (Beautiful Children), in a recent interview, sounding perturbed: “Where are you right now? I’m in a writer’s room in Manhattan. There’s all these other people with their fucking computers doing their stupid little bullshit. It feels pointless. You wanna feel like it matters. It’s hard to do that when you’re in a room like this. At least it’s quiet.”
Out this week: The Color Master, a new short story collection by Aimee Bender; an English-language translation of The Infatuations by Javier Marias; and Brief Encounters with the Enemy, the new Saïd Sayrafiezadeh book that Scott Cheshire reviewed for us on Monday. Read more about these and other releases in our Great 2013 Second-Half Book Preview.
"Yehuda Amichai’s genius lies in how—to borrow from his own language—he makes metaphor 'useful.' He thinks metaphorically, and in so doing he makes stories of them, treating his likenesses as if they were not metaphorical but animated literalisms. That’s why, I suspect, his metaphors have not merely poetic power but practical vitality, in the way that a horse is not only alive but usefully alive." Every time James Wood publishes a big profile in The New Yorker, it's worth a read; this week's essay on the "secular psalmist" and poet Yehuda Amichai is no different.
“Garth Greenwell’s project with What Belongs to You is to remind us how illicit cruising and anonymous sex figure within the modern gay identity. As the gay marriage movement helps sanitize (and de-sexualize) queerness, Greenwell brings the dark and sordid elements of sex and promiscuity back into sharp relief.” Over at Pacific Standard, Nathan Smith writes on the new gay novel. Pair with the Millions review of Greenwell’s book.