On the heels of our recent look at the dynamic between Raymond Carver and Gordon Lish, a close reading of versions of Carver’s stories, with and without Lish’s editorial involvement.
Carver and Lish, Revisited
Reality Slips
“I sensed myself hurtling into the reality of the film, and leaving my own behind.” Esme Weijun Wang writes on the slippage of reality in films and schizoaffective disorder.
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The Best of Last (Crusade)
I’m shocked that this is even open to debate. Emily Asher-Perrin on why Indiana Jones and the Last Crusade is the best of all Indy films.
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Mixer’s Sex, Violence, & Satire Contest Extended
Mixer Publishing wants more of your sex, violence, and satire. They’ve just extended their contest deadline–for fiction, poetry, and graphic stories–to the end of the month, which gives you a few more weeks to conjure and submit satirical lust and gore for a chance to win their $1,000 prize.
“I hate literature”
Recommended reading: The Guardian reports on Varlam Shalamov, a Russian author who spent 17 years in the harsh camps of the Kolyma gulag, wrote more than 140 short stories, and still claimed ““I hate literature. I do not write memoirs; nor do I write short stories. That is, I try to write not a short story but something that would not be literature.”
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“Reigning queen of the Twittersphere”
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a long foray in CG Omega
While writing by hand may be high risk work, the writer-typists among us face some tough decisions: what font should one employ? Do you need software to keep you from being distracted? Is it time yet for a distraction?
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Greatly Exaggerated
At 74, Clive James is a remarkably prolific poet, one who’s working hard to finish or publish three books in the next year alone. He spoke with Douglas Murray of The Spectator about his unflagging energy. “At the moment, I am in the slightly embarrassing position where I write poems saying I am about to die and I don’t,” he says. You could also read our own Garth Risk Hallberg on James’s book Cultural Amnesia.
Meg Wolitzer Goes Hollywood (Again)
Meg Wolitzer details the odd experience of seeing her characters brought to life on the screen in The New York Times.
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