The University of Toronto now has a webpage up for its current exhibition “Beyond the Words: Author Portraits by Carl Köhler.” See some of Köhler’s remarkable portraits of artists and intellectuals and read about him here.
In Bogotá, Colombia, a garbage collector by the name of Jose Gutierrez has been working tirelessly to rescue thrown-away children’s books for use in his homemade community library. If this doesn’t immediately call to mind Bohumil Hrabal’s classic Too Loud a Solitude, then it might be time for a re-read. Also, check out this Millions essay by John Yargo on Hrabal’s rambling fiction.
“The internet has altered our lives in ways television never did or could, but mainstream literary novelists – by which I mean writers who specialize in realistic, character-based narratives – have mostly shied away from writing about this, perhaps hoping that, like TV, it could be safely ignored.” Laura Miller examines how contemporary novels are coming to terms with the internet.
“I try to edit my work in different states of mind. So I’ll go running on a really hot day and then read the 2,000 words I just wrote. Or if I’m upset, or really sleepy, or if I’m drunk, I’ll read this stuff. If you’re sleepy and you find yourself skipping over a paragraph because you’re bored by it and just want to get to the interesting part, it comes out. Those different states of mind are a really interesting filter.” Writing advice from Sebastian Junger.
Year in Reading alumna Sarah Manguso writes about motherhood, writing, and the disintegration of the self in a moving essay for Harper’s. As she puts it, “I want to read books that were written in desperation, by people who are disturbed and overtaxed, who balance on the extreme edge of experience. I want to read books by people who are acutely aware that death is coming and that abiding love is our last resort.” Pair with Jaime Green’s Millions review of Manguso’s Ongoingness: The End of a Diary.