A controversial new book art exhibit is set to open at the Mansfield Library of the University of Montana on January 7th. The show, “Speaking Volumes: Transforming Hate,” comprises works by 100 artists all of which are made out 4000 books published by a white supremacist organization, The Church of the Creator, and sold to the Montana Human Rights Network by a disaffected member. Read the strange story of the genesis of the exhibition and see some of the works here.
Book Art V. White Supremacy
And You Thought Literary Magazines Had It Rough
Trouble might lie ahead for Skymall. Rohin Dhar makes the case in The Atlantic that everybody’s favorite in-flight magazine might’ve just merged with a dubious “nutraceuticals” company in need of SEC scrutiny.
●
●
Not Sure
Are people losing interest in fiction that “offers more questions than answers?” In her book Thirteen Ways of Looking at the Novel, Jane Smiley suggested that modern readers have little taste for uncertainty. At The Rumpus, Rob Roberge asks how much this contributes to popular disinterest in literature.
Tuesday New Release Day: van den Berg, Tan, Faulks, Setterfield, Delaney
Year in Reading alum Laura van den Berg has a new book out this week, as does Amy Tan. Also out: Jeeves and the Wedding Bells by Sebastian Faulks; Bellman & Black by Diane Setterfield; and a memoir by YiR alum Rob Delaney. For more on these and other new titles, check out our Great Second-Half 2013 Book Preview.
●
●
Stephen King Picks Hesh Kestin
As part of World Book Night, a UK event designed to bring attention to books for adult readers, a number of famous authors have chosen books that they would recommend to readers. Stephen King's selection was Hash Kestin's small press effort The Iron Will of Shoeshine Cats. Published by upstart Dzanc Books in the U.S. in 2009, the jolt of publicity generated by the King selection means the book will now be coming out in the UK as well. Our own Emily Mandel wrote a review of the book in 2010, calling it "a gritty enchantment"
●
●
For the Sake of Cohesion
“Setting is often the last piece of the jigsaw. I start somewhere else—with a kind of a premise, a set of relationships, a theme—and I often have a long period when I can’t figure out where the story should be put down. I find myself going location hunting. Not just for a time and place, but also for a genre, if you like.” Kazuo Ishiguro on the Hazlitt podcast. For more things Ishiguro, here is our own Lydia Kiesling’s review of Ishiguro’s latest novel, The Buried Giant.