The Perils of ‘Contact Me’: in an essay in the New York Times, Ben Yagoda wonders whether authors have made themselves too accessible to readers.
Hats off to our own Edan Lepucki for being named a Face to Watch by the LA Times! In an article, David L. Ulin says Edan’s upcoming novel is “steeped in southern California narrative tradition” and describes how a drive along Sunset Boulevard inspired the setting of the book. (You can catch up on Edan's work by looking through her archive.)
It's a big week for literary new releases. Chris Adrian's much anticipated new novel The Great Night is now out, as is Francine Prose's My New American Life. Also new this week are Roddy Doyle's latest collection of stories, Bullfighting, and the reissue of William Boyd's impish prank of a book, Nat Tate: An American Artist. Finally, past Booker shortlister Linda Grant has a new novel out called We Had It So Good.
It’s funny and fitting that Madame Proust, in a letter now on display at the Morgan Library, implored her son to share persnickety details about what time he got up in the morning. Another thing the exhibition, which celebrates the hundredth anniversary of Swann's Way, reveals: early drafts of the book used “biscottes” in place of “madeleine.”
"Start with the novel’s climax (often the first thing you know about it, its most striking moment) and work backward, asking why-why-why. Then write forward." Nell Zink at The Lithub on how to become a novelist in 10 easy steps. See also our interview with Zink from last week.