With the frenzied holiday season underway, there aren’t many new releases to look at this week, but there are some newly reissued classics hitting shelves. NYRB Classics has put out Alien Hearts by Guy de Maupassant and Everything Flows by Vasily Grossman. Vintage, meanwhile, has smart looking new editions of a pair of Somerset Maugham books: The Narrow Corner and A Writer’s Notebook.
Franzen fans: Freedom, the long-awaited follow-up to The Corrections is now available for pre-order. The specs: 576 pages, August 31st 2010. “Freedom comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom’s intensely realized characters as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.”
Pietru Caxaro composed “Il Cantilena” in the late 15th century, and his poem is widely considered to be the oldest known literary text in the Maltese language. Recently conservator Theresa Zammit Lupi worked to restore the original manuscript’s paper, binding and cover in order to “bring new life” to the historic work. You can read an approximate English translation of the poem courtesy of Wikipedia.
After earning herself a “test run” writer’s residency aboard an Amtrak train, Jessica Gross reflects on the virtues and benefits of writing by railcar. Meanwhile, Alexander Chee announces he’ll be writing on the rails from New York City to Portland this Spring. You can read some more information about the program over here.
Vladimir Nabokov’s Lolita is one of those rare few classic novels that translates well to the big screen. To some extent, this was intentional — Nabokov often wrote fiction with an eye to selling film rights. John Colapinto writes about the author’s relationship with the cinema over at Page-Turner. You could also read our own Lydia Kiesling’s Modern Library Revue of Lolita.
“For Groff, it is not that there’s a clearly delineated line between the universal and the particular, but rather that they are nested like Russian dolls: every story of the particular is also an iteration of the universal.” This review of Lauren Groff’s Fates and Furies from 3:AM Magazine is great. Our interview with Groff from a few weeks ago makes a nice complementary read.