The B.O.M.M. blog looked at our recent item Best American Short Stories: By the Numbers, in which we crunched some numbers behind the Best American Short Stories series, and created a nifty word map of the short story titles that appeared in the series from 1978 to 2008. “The most frequent word for a title (not including articles and such)? Life. It has appeared 9 times.” If anyone else decides to mine some interesting discoveries from the B.A.S.S. data, let us know.
When you’re trying to keep up with the best new writers out there, it’s easy to forget the debt we owe to the classics. So let’s go back to the beginning: Why Homer Matters, a new book by Adam Nicholson on the father of all poets, explores the question of who Homer was, and whether or not he was even one person. You could also read Frank Kovarik on the parallels between The Odyssey and Toni Morrison’s Beloved.
Owing to a successful Facebook campaign and some outcries from the Press’s authors, University of Missouri administrators have decided to reinstate the University of Missouri Press—which was recently shuttered—and “rehire” its editor in chief, Clair Wilcox. The goal now, according to the university system’s president, is to “reinvent [the press] in a more cost-effective technological model.”
“After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of ‘realism.’ It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop (‘this isn’t a story,’ ‘this is poetry,’ ‘what is this’), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life.” Susan Steinberg asks what happened to American experimental writing.
During the Cold War, the CIA became entrenched in cultural life through an organization named, ironically enough, the Congress for Cultural Freedom. In order to fight communism, they funded socialist artists. The Awl has compiled a list of literary journals, including the Kenyon Review and The Paris Review, that were once supported by the CIA.