The t-shirt team at kafkacotton has generously offered to extend a special deal to readers of The Millions (knowing, I assume, that you bookish folks will dig t-shirts that cleverly proclaim their love for classic books). Use the discount code “THEMILLIONS” to get 10% off. Remember to put the discount code in the “Message to Seller” box. Then, I’m told, you can either immediately pay the full price and they’ll issue you a refund for the discount amount or you can wait for kafkacotton to send you a revised, discounted invoice. Thanks for setting up this deal kafkacotton!
“Aspiring journalists tend to worship at the altar of Joan Didion,” writes Heather Havrilesky (who some of you may know as Polly) in the latest issue of Bookforum. The fact that so many writers look up to Didion as an example necessitates that the lit world find at least one offbeat alternative. In Havrilesky's eyes, that alternative is obvious: the late Nora Ephron was the anti-Didion, she argues.
In more "Dylan at 70" news, the knowledgeable Ed Ward reviews the compilation How Many Roads: Black America Sings Bob Dylan for The Oxford American. (Editor's Note: The omission from this album of Nina Simone's "Just Like Tom Thumb's Blues" and Ben E. King's "Lay Lady Lay" are both unconscionable.)
YiR alum Roxane Gay and Medium have collaborated on a magazine that will feature pieces throughout the month from 24 different writers. The writers all address the question "what does it mean to live in an unruly body?" and they range from Kiese Laymon to Keah Brown to Randa Jarrar.
Novelists, poets, and playwrights aren't the only people who can call themselves writers. Don't forget the oft begrudged screenwriters. The New York Times highlights 14 of this year's best screenwriters, including Julie Deply and Seth Rogen, and asks them for writing advice and one original line of dialogue for some excellent short films. Our favorite short film is Robert Redford's.