Herta Müller’s Nobel Lecture is now available in translation.
Herta Müller’s Nobel Lecture
Another Reason to Subscribe to The Millions
With the US Postal Service facing massive cuts to its budget, Saturday delivery may soon become a thing of the past. Print publications are bracing themselves for this possibility.
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Train Dreams
Wes Anderson really likes trains, and not just any trains — the director of The Grand Budapest Hotel is a big fan of riding on Amtrak. “It’s one thing to be stuck together for the long haul to New Zealand in the upper deck of a 747 for 16 hours,” he told a writer for the company’ s blog, “but it’s an altogether different matter to hit the dining car three meals a day for two and a half days running onboard the Southwest Chief.” This may be a good time to read our own Nick Ripatrazone’s essay on writers and trains.
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Standing on the Bridge of Grief
Over at Catapult, Benjamin Wood writes about his eulogy for his grandfather, which led to his writing of The Ecliptic. As he puts it, “Or maybe, in this time of grieving, I was thinking only with my heart until my head began to listen. Today, it seems as though the entirety of The Ecliptic was held within my consciousness before I ever glimpsed a piece of it, and grief was what enabled me to notice.” Pair with Nagihan Haliloğlu’s Millions review of the novel.
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Resting On One’s Imaginative Laurels
Etgar Keret is a rising (if not risen already) literary star, but these days, following the publication of his new collection Suddenly, a Knock on the Door, “he seems to be growing complacent, bored even, with his talent,” writes Joshua Furst.
On Migration
Granta asks their contributors what it means to be a migrant or a refugee in light of the crisis in Europe. Twenty-eight authors respond in visual media, personal essays, and poems. You could also read our migrations book list for more perspectives.
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