Herta Müller’s Nobel Lecture is now available in translation.
Two full-length trailers for much-anticipated films dropped this week. First up is Pixar’s Brave, which will hit theaters this June. Meanwhile, on the other end of the spectrum, fans get to see Robert Pattinson star as Eric Parker in David Cronenberg’s adaptation of Don DeLillo’s Cosmopolis.
Ahead of next week’s publication of The Girl Who Kicked the Hornet’s Nest, the battle over Stieg Larsson’s lucrative literary estate. (Thanks, Craig)
“Why, after all, do writers write? What is the impulse, the insistence on story, on seeing and representing the world? It has little to do with technology although everything to do with narrative, which is a purpose that, on the surface, technology also seems to share. The difference is that the writer creates narrative with intention, whereas technology merely gathers, or processes, information, leaving interpretation, analysis, up to us.” Let’s just say David L. Ulin doesn’t think Joyce would work for Google.
Conversations and Connections is a Philadelphia conference offering editors, writers and publishers a chance to meet one another in a “comfortable, congenial environment.” The full day’s events are organized by Barrelhouse, and this year’s keynote speaker is The Odds author Stewart O’Nan.
Could it be for the best that Lisbeth Salander outlived her creator? Do writers own the rights to their own superstar characters, or do the rights belong to the readers? These questions and more are explored in a fascinating essay from The Atlantic. Here’s a Millions piece in which Pippi Longstocking is touted as Salander’s literary forebear.