Gonzo Film Crit at Gizmodo

Read Stephen Elliot‘s (Editor of The Rumpus, and author of the memoir The Adderall Diaries) fascinating account of his Lending Library program, whereby, prior to release, he sent a free galley of his memoir to anyone who promised to pass it on to someone else within a week.

In the world of selling books, it’s not all about the sentences. At Ploughshares, agent Eric Nelson argues: A fresh plot matters and unusual characters do, too. “The most interesting books have characters who do the opposite of what we’d do… Imagine Hamlet, if Hamlet took decisive action. Horror movies wouldn’t exist at all without the idiot who always suggests they split up.”

Writing for Full Stop, Robert Fay asks, “If Mr. [T.S.] Eliot had to have a day job, why is it that writers and poets today are so cagey about what they do to pay the bills?” Previously, two of our staff writers have explored similar aspects of the same question.  In 2009, Emily St. John Mandel wrote of the “constant struggle” that arises from “striking a balance between writing literary fiction and paying the rent.” And last year, Edan Lepucki looked at the perils of including “non-writing jobs” in one’s author bio.

At the recently re-launched Poems Out Loud site, you can see Stanley Kunitz talk about Gerard Manley Hopkins, and hear contemporary poets like Kim Addonizio read their own work.