“If I’ve sat on my arse all day—and it’s definitely my English arse I sit on, not an American ass—then what I most want to do come evening is sit on it some more,” Geoff Dyer loves to sit. He and other authors discussed why the standing desk is overrated at The New Republic. Here’s where our writers work.
Out this week is Russian author Vladimir Sorokin’s Day of the Oprichnik. Coinciding with that release, NYRB Classics is putting out Sorokin’s Ice Trilogy. Georges Perec’s The Art of Asking Your Boss for a Raise is now on shelves, as is Stewart O’Nan’s Emily, Alone, in which he revisits the Maxwell family from his 2002 book Wish You Were Here.
We care quite a bit about book covers here at The Millions, hence our recent rounds of cover-judging. To honor the hundredth anniversary of Tolstoy’s death, Flavorwire has compiled a selection of Anna Karenina‘s many covers, and opportunities for judgement abound.
Michael Kimball wants to save you $50,000 dollars on an MFA – by sharing what’s he taught himself. Interested in reading more from someone without a traditional writing degree? Our own Hannah Gersen explains “The Value of Writing Programs: On Why I Don’t Have an MFA.”
You may have heard us mention Electric Literature’s Recommended Reading project recently. It’s a great new venture in which short stories are selected by other prominent writers — and it’s recently surpassed its fundraising goal. Now, they’ve even combined the project with one of their most beloved classics: Single Sentence Animation. Check out this little ditty to accompany Ben Marcus’s “Watching Mysteries With My Mother” and, of course, check out their Kickstarter page.
“The art of rejection, like the art of writing, requires submission, discipline, patience, failure,” executive editor Jeff Shotts writes on Graywolf Press’s blog about rejection. Pair with: Our “Ask A Writing Teacher” column about tiers of rejections at literary journals.