Boldtype offers up a list of “10 Awesome Books to Give to Your Non-Reading Friends,” i.e. eye-candy gift books.
Eye-Candy Gift Books
As I Sit Writing
"I had invented a writing table out of a wheelbarrow in the coal bunker, just beyond a wall from where a dynamo ran. It made a deep, constant humming noise. There was no more work to do until about 4 a.m., when we would have to clean the fires and get up steam again." The University of Mississippi power plant where William Faulkner wrote his self-styled "tour-de-force" As I Lay Dying is slated to be demolished. Here's a nice, complementary piece on slowing down to read Faulkner.
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Chosen One Narratives
Rainbow Rowell’s newest book, Carry On, is out now. Here she is interviewed by Nicole Chung over at The Toast. Our own Janet Potter has a moving essay on Rowell and young love that may also be of interest to you.
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Burning Books in Angola
Recommended Reading: For Public Books, Year in in Reading alumna Katrina Dodson writes on José Eduardo Agualusa’s novel A General Theory of Oblivion.
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Martians Among Us
Everybody knows the saying, “men are from Mars; women are from Venus.” Well, some scientists now believe we might all be from Mars. (Sorry, Venus.)
This Is Not Confessional Poetry
Over at the Bennington Review, Michael Dumanis interviews Year in Reading alumna Dorothea Lasky about persona poetry, the first-person “I,” and creativity. Pair with Gila Lyons’s Millions essay on creativity and madness.
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Vote for your Millions!
Dearest readers, the voting is now open in the 3 Quarks Daily Arts & Literature prize judged by Laila Lalami. Read and vote for your favorite piece from The Millions here!
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The Annotated Frank Sinatra
We didn't think it was possible to make Gay Talese's famous Esquire profile "Frank Sinatra Has a Cold" any better, but Talese recently annotated the article for Nieman Story Board.
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Everything That Rises Must Be Filmed
Recommended Listening: this episode of the Ryder + Flye podcast in which Jason Diamond and Margaret Eby discuss Southern Catholicism, 70s cinema, and why it's so darn hard to make Flannery O'Connor's stories work on the screen.
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