What are those crazy kids from Vampire Weekend saying in their new single, “Cousins”? It’s a little disappointing, as the beleaguered translators of lyrics at We Listen For You reveal.
Cousin/Cousine?
Unpredictable Lit
“These people may not take you seriously. And your boss might not either. Or your dentist or your best friend from middle school. But you who does take you seriously? Dictators. Dictators take you very seriously. Mao Zedong and Joseph Stalin, Pol Pot and Augusto Pinochet, all rounded up writers and artists in short order. They could not afford to have the unpredictability of literature at large while they were trying to create a totalitarian state.” Wendy Willis on subversion through writing for The Rumpus.
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The Incredible Shrinking Class Structure
The Daily Beast interviews Tom Wolfe, who argues that America, more than two decades after The Bonfire of the Vanities, is a place where people “cannot act as if they are part of a superior class.” (For context, you might want to look at our own Nick Moran’s review of his latest, Back to Blood.)
Elizabeth Alexander Turns to the Arts to Save Us
Poet Elizabeth Alexander reflects on how art is essential to addressing the most pressing issues of our time.
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Sehgal and Adichie in Conversation
In the introduction to her interview with the author, the inimitable Parul Sehgal described Chimamanda Ngozi Adichie’s latest novel, Americanah, as “a thrilling and risky piece of writing that takes on taboos, shatters pieties, and combines forthright prose, subversive humor, and a ripping good story.” If that doesn’t sell you, I don’t know what will.
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This Old House
It’s been another long week. Lighten the crush of news with The Guardian‘s literary quiz, in which you match the house to the writer/book it inspired. And once you’ve gotten your score, perhaps take a vicarious tour of the House of Brontë?
Taking Stock
“I had put manure bags—yes, manure, which is what we could get—at the front and back doors.” Publishers Weekly looks at how Houston-area indie bookstores are faring post-Harvey.
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Shoot First
A hundred years after the First World War began, many people are looking anew at the conflict, among them Thomas Laquer, who wrote a lengthy reflection of its causes in an LRB review of Christopher Clark’s The Sleepwalkers. In The New Yorker, George Packer uses the war as a jumping-off point for an essay on a broader topic: the evolution of war literature in the modern world.