Granta has published translated writing from Nobel Prize winner Svetlana Alexievich. She writes: “In 1986 I had decided not to write about war again. For a long time after I finished my book War’s Unwomanly Face I couldn’t bear to see a child with a bleeding nose. I suppose each of us has a measure of protection against pain; mine had been exhausted. Two events changed my mind.” Find out more about Alexievich here.
The organizers of this year’s O, Miami Poetry Festival are holding an online poetry contest entitled “That’s So Miami.” To participate, submit a poem that begins or ends with the phrase, “that’s so Miami.” Entries – which can be culled from both Twitter and Instagram – are accepted in English and Spanish (duh), and submissions are posted daily on the organization’s new Tumblr. For a rundown of the festival’s other April events, check out their Facebook page.
Emily Smith discusses the place of zines in contemporary American politics, over at Ploughshares. As she puts it, “Zines, like street art, are allowed critical power through anonymity—a function newsstand periodicals simply can’t perform for the sake of reputation or the sacrifice of advertisers. In this way, zines are small-scale democracies.”
Recommended Reading: This review, though it is really much more than that, of Daniel Williams’ Defenders of the Unborn. Williams’ book takes a detailed look at the history of anti-abortion activism before Roe v. Wade, but more generally it seeks to complicate our entire definition of activism in the context of the pro-life/pro-choice debate.
New writers need to trust themselves, Marilynne Robinson advises in an interview with Thessaly La Force for VICE. “The idea that you might do something radically brilliant—that assumption is very empowering and it has given the world a lot of really interesting things to look at,” she said.