Jessa Crispin offers “Picks for Best Foreign Fiction,” at NPR, including selections from Russia, Colombia, the Netherlands, and Israel.
Best Foreign Fiction from Jessa Crispin
at once impressionistic and profound
Rohan Maitzen on Virginia Woolf‘s literary criticism: “What—I can imagine her asking herself, as she writes about other novelists—am I doing, what else can I do, with the novel? Surely figuring this out was always, for her, the underlying project of her criticism.”
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Nothing if Not Consistent
Fans of Moby-Dick should read Nathaniel Philbrick’s outstanding historical account In the Heart of the Sea. The book, which tracks the fate of The Essex, a New England whaling vessel sunk by a humongous sperm whale in the South Pacific, is vivid and harrowing. It’s also, as it turns out, only one of the naval catastrophes to befall George Pollard, Jr., The Essex‘s captain: a second wreck of his was recently located off the coast of Hawaii.
PEN Pinter Prize
Margaret Atwood has been awarded the PEN Pinter Prize for her environmental and humanitarian rights work. Pair with a review of The Heart Goes Last.
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Egan for President
“The power and meaning of the written word are central to the complexities we face today—both as a nation, and globally. To my mind, freedom of expression is a basic human right.” Pulitzer Prize-winning author Jennifer Egan has been named the new president of PEN America. Pair with: our own Edan Lepucki‘s 2010 profile of Egan.
You Go, Girl
We’re a little late to the party on this one, but the Masterpiece adaptation of Little Dorrit won (and probably deserved) more Emmys than any other show this year. In your face, Gandolfini!
How Should Books Be Organized?
Reading books is great; buying books is better. But how should they be organized? NPR, under the guidance of librarian Kee Malesky, has some pointers.
Hatchet Man
“Book reviews are another matter, because a bad review has the potential to be far more adversarial: one writer spending years on a book, one reviewer spending days reading it, and a lasting relationship being created between the two in print. Or, perhaps, a history between the two that lends the review a particular piquancy.” An exegesis of the good bad review.
The HemingWAY
James Salter reviews Paul Hendrickson‘s Hemingway’s Boat for The New York Review of Books. Relatedly, Helena Price has been using 1000memories to compile “memory pages” to “explore the life of Ernest Hemingway as well as his friends and family.” Of particular note is this poster imploring us to “Live the HemingWAY.” Also related, The Paris Review shares a letter from Papa to his sister Ursala Hemingway.
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