The cover image of this week’s Publisher’s Weekly, which centers around an annual feature on African American book publishing, is drawing a lot of attention, mostly negative. Read PW senior news editor Calvin Reid‘s explanation/mea culpa.
Those following this weekend's events in Tripoli will no doubt be interested in Banipal's issue dedicated to Libyan fiction. And, as Moammar Gaddafi's reign appears to be ending, the Guardian's evisceration of his short stories is worth a read. On NPR's site, Hisham Matar also explains the influence of Gaddafi's rule on Libyan writing.
Man Booker Prize-winner Marlon James is finished talking about diversity, and here's part of his logic: "A panel on diversity is like a panel on world peace. It should be seeking a time when we no longer need such panels. It should be a panel actively working towards its own irrelevance. The fact that we’re still having them not only means that we continue to fail, but the false sense of accomplishment in simply having one is deceiving us into thinking that something was tried."
"The most interesting writers we know, all asking and answering the same question: why can't we stop watching cat videos?" Coffee House Press one-ups all boring Kickstarter campaigns with Catstarter, a campaign to fund a book on cat videos and "how we decide what is good or bad art, or art at all."
"When I ask him why he likes something, it’s a perverse exercise less to gain new insight than to trick him into admitting to his personality." For Longreads, Dead Girls writer Alice Bolin tries to understand her father through the (sometimes misogynistic) mystery novels he reads and loves. (Read our own Janet Potter on Stieg Larsson's Millennium trilogy.)