On Why College Professors Don’t Envy the Young, at the Chronicle of Higher Education.
Why College Professors Don’t Envy the Young
High Fantasy
You may have heard that Kazuo Ishiguro recently published his first novel in more than ten years. The Buried Giant, which takes place in Arthurian England, is a departure for Ishiguro, a work of overt fantasy. At Slate, our own Mark O’Connell provides his take on the book. You could also read our own Lydia Kiesling’s review.
●
●
Books for the Trump Era
“[T]hat might be what liberal readers needs right now: Not just portraits of the Brexit and Trump-voting domestic Other, but a clearer sense of their own worldview’s limits, blind spots, blunders and internal contradictions.” The New York Times‘s Ross Douthat assembles a “Books for the Trump Era” reading list, including Michel Houellebecq’s Submission, Christopher Lasch‘s The Revolt of the Elites and the Betrayal of Democracy, and Samuel P. Huntington‘s Who Are We? The Challenges to American National Identity. You can also read our own review of Houellebecq’s latest here.
Read Proust
“In Proust’s case, I think he helps us to see the world as it really is, not only its extraordinary beauty and diversity, but his observations make us aware of how we perceive and how we interact with others, showing us how often we are mistaken in our own assumptions and how easy it is to have a biased view of another person.” William C. Carter makes an argument as to why we should still read Proust. Our own Hannah Gersen has started a Proust Book Club.
●
●
Secret Space
Recommended Reading: Over at Aeon, Tiffany Jenkins writes about the importance of secrets for a child’s development and in children’s literature.
●
●
And Hobbes Appears Where, Exactly?
At HTML Giant, Mike Kleine writes a 25-point review of The Life of Pi, by Yann Martel. If you need a refresher, you might want to check out our rundown of tiger-based literature.
●
●
“Sing About Me”
“Good kid m.A.A.d city is a memento mori haunted by dead and living ghosts…When they are pieced together as a sequence they act like Muybridge’s zoopraxiscope: they give us the impression that from these clips we are watching a black boy learn to fly above it all.” Rachel Kaadzi Ghansah looks at hip-hop, Kendrick Lamar, and the tradition of the black blues narrative.
●
●
Behind the Beautiful Forevers Headed to the Stage
The National Theater in London plans on adapting Behind the Beautiful Forevers into a stage production, reports John Williams. Don’t miss Paul Morton’s Millions interview with Katherine Boo from last year.