At The Daily Beast, a bounty of Twilight-iana, including an interview with New Moon director Chris Weitz (aka the man who ruined The Golden Compass) and pictures of Kristen Stewart, Robert Pattinson et al before Twilight.
Writers have long been attracted to duels, if only because, for the most part, they offer an easy way to ramp up the conflict in a story. At Page-Turner, James Guida takes a look at their enduring relevance, with reference to the history of the duel in Europe. Pair with: our own Nick Moran on duels in Russian literature.
From Hunter S. Thompson's 1958 job application to the Vancouver Sun: “And don’t think that my arrogance is unintentional: it’s just that I’d rather offend you now than after I started working for you. I didn’t make myself clear to the last man I worked for until after I took the job. It was as if the Marquis de Sade had suddenly found himself working for Billy Graham.”
"Literature is the record we have of the conversation between those of us now alive on earth and everyone who’s come before and will come after, the cumulative repository of humanity’s knowledge, wonder, curiosity, passion, rage, grief and delight. It’s as useless as a spun-sugar snowflake and as practical as a Swiss Army knife." Dana Stevens and Adam Kirsch discuss whether literature should be considered useful.
“My idea of the ideal literary dinner party remains locking a book under my left wrist while conveying risotto to my mouth with my right at the kitchen table.” Stacy Schiff talks literary dinner parties and more in this week’s New York Times By the Book column. Schiff’s latest, The Witches: Salem, 1692, is out this week.