The debut issue of Candor magazine is like a Sassy for the intellectual set, rife with wit (Emily Gould and Merisa Meltzer discuss Away We Go), intelligence (writer mother Rachel Zucker and woman writer Sarah Manguso speak candidly about identity, motherhood, women’s prejudices and writing), and women’s rights (Atossa Abrahamian considers the rhetoric of the rape victim).
The new media revolution has massacred the book review sections at many national newspapers, but it’s been just as unkind to movie reviewers. At his Salt Lake Tribune blog, Movie Cricket, SLT film critic Sean P. Means keeps a list of all of the movie reviewers who’ve gotten the axe.
The London Review of Books Blog reports that the personal library of late novelist David Markson has been scattered among the stacks at New York’s Strand bookstore, filled with notes, check marks and underlined passages. Some comments found scrawled in his copy of DeLillo’s White Noise: “oh god the pomposity, the bullshit!” and “oh i get it, it’s a sci-fi novel!”
“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.