The debut issue of Candor magazine is like a Sassy for the intellectual set, rife with wit (Emily Gould and Merisa Meltzer discuss Away We Go), intelligence (writer mother Rachel Zucker and woman writer Sarah Manguso speak candidly about identity, motherhood, women’s prejudices and writing), and women’s rights (Atossa Abrahamian considers the rhetoric of the rape victim).
“There’s more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date,” Philip Roth said in an interview with Cynthia Haven for Stanford’s The Book Haven. Besides his retirement from writing, Roth also discussed why he doesn’t consider himself an American-Jewish writer and his book The Ghost Writer. For more Roth, read our essay on lessons you can learn from his work.
Who was it that came up with the idea that a million monkeys in front of a million typewriters would eventually, with their random keyboard smashing, type William Shakespeare’s complete works? Well, you can give the experiment a try here (link from the CC). And while you’re waiting for your monkeys to finish typing Love’s Labor’s Lost, check out some book excerpts I found:Heir to the Glimmering World by Cynthia Ozick — excerpt, NYT review, SF Chronicle reviewChain of Command by Seymour Hersh — excerpt, CS Monitor reviewThe Double by Jose Saramago — excerpt, NZ Herald reviewThe Fall Of Baghdad by Jon Lee Anderson — excerpt, WaPo review
“They’re pictures, not images; displays, not shots; illustrations, not compositions. They are respectful displays of performance—of the demonstrative theatrical antics into which Anderson lets his performers lapse.” Richard Brody on the film version of Thomas Pynchon’s Inherent Vice.