The first reviews of Zadie Smith‘s new collection of essays, Changing My Mind, are in and the general line’s a non-committal, guarded praise. I think it’s wunderkind jealousy, myself. Voici: The L.A Times review and The San Francisco Chronicle review.
“I started zoning out a little. My eyes drifted over toward my cat. Mr. Patterson pulled me right back in by saying, ‘Once you have the outline, start writing dude, you’re ready.’ It was that dude that woke me.” At The Awl, Patrick Hoffman reviews James Patterson’s MasterClass on writing. Pair with Bill Morris‘s account of losing his Pattersonian virginity at 32,000 feet.
Teju Cole’s Every Day Is for the Thief is out this week, as is Karen Russell’s e-book novella Sleep Donation. Also out: The Brunist Day of Wrath by Robert Coover; Falling Out of Time by David Grossman; Bad Teeth by Dustin Long; The Land of Steady Habits by Ted Thompson; and The Space Between Us by Zoya Pirzad.
As part of a collaboration with several international magazines, Full-Stop is publishing Babelsprech International, a series of articles on poetry around the world. In the latest edition, Karel Piorecký writes about contemporary Czech poetry, drawing a line between the pre- and post-Communist periods. Related: John Yargo on the Czech writer Bohumil Hrabal.
“Behind the collective feast and public ritual lies a personal dimension: the holiday as each of us has lived it, laughed about it, imagined it or reinvented it.” For their “My Thanksgiving” feature, The New York Times asked nine writers — including Parul Sehgal, Viet Thanh Nguyen, and Emma Cline — how they celebrate the holiday. Pair with Nguyen’s 2015 Year in Reading.
To commemorate publication of the 65th anniversary edition of Raymond Queneau’s Exercises in Style, New Directions has asked ten contemporary writers to “create new exercises in homage to Queneau.” Over at The Rumpus, you can check out Jonathan Lethem’s “Cyberpunk” exercise, as well as one of Queneau’s twenty eight “never before translated” exercises making its English debut in the new edition. Bonus: read our own Mark O’Connell on the “radical claims about the relationship between form and content” in Queneau’s writing.