The Howling Fantods live-blogged last week’s DFW conference at CUNY.
“His books used to be ink on paper; now we have to squint through the cloud of the Ellroy Phenomenon.” And the James Ellroy Phenomenon looks like it will only continue: the author has announced plans for a second L.A. Quartet, the first of which, Perfidia, comes out next week.
Steve Almond at The Rumpus provides a “meditation on editors, ambition, and angry dependence” in reaction to the media’s coverage of the suicide of Kevin Morrissey, managing editor of The Virginia Quarterly Review.
“They are both popular and literary and seem to have no problem standing with a foot in each category.” For The Paris Review, our own Adam O’Fallon Price writes about the “unambiguous sophistication” of Curtis Sittenfeld‘s writing—which is often regulated to the world of “chick lit”—and her new short story collection, You Think It, I’ll Say It. (Read our interview with Sittenfeld.)
For those of you who’ve ever wondered to what extent e.e. cummings wrote prose the way he wrote poetry, there’s this letter to consider, published by The Paris Review Daily to commemorate the poet’s birthday. It’s addressed to Ezra Pound, and it features phrases including but not limited to “macarchibald maclapdog macleash.”
In his new book, Pill City, journalist Kevin Deutsch set out to tell the real story of how, following the 2015 Baltimore riots, Charm City’s streets became flush with heroin and pills. But now local writers are raising serious questions about the veracity of Deutsch’s account. Among others, The Wire creator David Simon has called the book “a wholesale fabrication.” Last week, Newsday announced they were “reviewing Deutsch’s work over the four years he worked here,” and the New York Times, where Deutsch has contributed, followed suit.