Today arrives Barbara Kingsolver’s latest, Lacuna, “an epic journey from the Mexico City of artists Diego Rivera and Frida Kahlo to the America of Pearl Harbor, FDR, and J. Edgar Hoover.” Also out are a couple more of those nifty “Olive Editions” from HarperCollins, this time of Thomas Pynchon’s The Crying of Lot 49 and Sylvia Plath’s The Bell Jar. Update: There’s a new edition of Eric Schlosser’s Fast Food Nation too.
Over at The New Yorker, Roa Lynn recalls going to Pablo Neruda’s home and getting him to write her a poem: “Would he read a few of the poems that I had brought with me? To my delight, he said that after lunch he would take his customary nap and after that he would read our poems. If he liked them, he would write something for our book.” Pair with this Millions essay about Neruda’s house in Isla Negra.
If you enjoyed the profile of Anne Carson in the latest New York Times Magazine – fictitious “ice bats” notwithstanding – you’re going to really love Parul Sehgal and Nathan Huffstutter’s two takes on Red Doc>. The work, Sehgal writes, is “suspended between what it is and what we want it to be.” And also, writes Huffstutter, it’s a work that “courses with a wit shot through with intelligence and humility.”
Out this week: The Nix by Nathan Hill; Ashes of Fiery Weather by Kathleen Donohoe; The Legend of Jesse Smoke by Robert Bausch; and Sex and Death, a new story anthology including pieces by Kevin Barry, Wells Tower and Yiyun Li. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
The hysterical website Old Jews Telling Jokes has been revived from its year-long hibernation, and two of its newest gems are worth viewing: “A Stutter” and “Three German Shepherds.” Meanwhile, the show’s Off-Broadway adaptation is scheduled to open May 20th, and its producer has a great write-up about how the show’s evolved.
Francine Prose has an idiosyncratic theory that the Hindu god Ganesh is a vital part of her writing process. In a VQR essay, she explains that her portrait of the deity (which she purchased forty years ago at a bazaar in Mumbai) gives her a kind of confidence that goes beyond superstition. As support for this belief, she points out that Ganesh is known in some quarters as “the writer’s god.”
If you're looking for some midweek longreads, here are two excellent profile pieces: Emily Nussbaum's unabashed enthusiasm for Lena Dunham as HBO's Girls gears up for release, and Adam Sternbergh on Mark Leyner, whose The Sugar Frosted Nutsack is out today.