In one corner, Sarah Palin, the “bone-licker, shit-kicker, caribou-killer.” In the other, the gentle friend of animals, Jonathan Safran Foer. According to Macy Halford at the NYer blog, this fight’d be no contest.
Smackdown: Palin V. Foer
How Did I Get Here?
It looks like Rowan Ricardo Phillips is the new basketball columnist for The Paris Review. His first piece is a bit of an introduction into his own basketball life. We’ve brought you a couple roundball–related pieces in the past.
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Infinite Stupidity
Why innovate when you can just Google and copy? Mark Pagel on the perils of “being domesticated by these great big societal things, such as Facebook and the Internet.”
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Fact-Checking Fiasco
What do you think gets fact-checked the most rigorously: newspaper articles, magazine stories, or books? If you guessed books, you’d be surprised to know that they are rarely, if ever, fact-checked. At The Atlantic, Kate Newman questions why we have so much faith in books’ accuracy but why publishers don’t bother.
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Master Palindromist
Today’s long read begins like this: “In March 2010, Barry Duncan, master palindromist, was locked in an epic struggle with the alphabet.”
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Picture Perfect
We pick photos to accompany writing all the time, but what do writers think about photography? At The New Yorker, photo editor Jessie Wender asked eight writers, from Jennifer Egan to Sasha Frere-Jones, what their favorite photographs are.
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The VQR’s Winter Issue Is Here
If for some unspeakable reason you didn’t follow my advice when I urged you to subscribe to the VQR over a year ago, then perhaps you need more convincing. Enter: Ron Charles. He’s got a brief preview of the magazine’s Winter Issue, which hit shelves this week, and which contains an essay based on Natasha Trethewey’s Library of Congress speech.
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“Anything but the perfect external man”
Philip Roth may have retired, but that doesn’t mean he’s done giving interviews. The author recently sat down with the editor of a Swedish newspaper, who talked with him about misogyny, Sabbath’s Theater and the need for “obstinacy” in a writer. (Related: our own Hannah Gersen reviewed Roth Unbound.) (h/t The Paris Review)