Our favourite American editor of an across-the-pond publication – Emily Bobrow of More Intelligent Life – chats with The Morning News about Anglo-American stylistic differences: “The English work hard but pretend not to, while Americans often strain to look busy.”
Of Transatlantic Manoeuvres and Colourful Sweaters
Station Eleven Preview
A. A. Knopf posted the first chapter of our own Emily St. John Mandel’s new novel, Station Eleven, on Scribd for all to see and enjoy.
Abstract
Up until 1999, Italian college students were required to write longform theses, which explains why Umberto Eco felt the need to write a guide to completing one. Eco being Eco, however, the guide went on to become a classic with many applications. At Page-Turner, Hua Hsu explains why the author’s writing manual is also a guide to life. You could also read Hillary Kelly on Eco’s Confessions of a Young Novelist.
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“Trying to save Brooklyn”
At Salon, an interview with Year in Reading alum Gary Shteyngart, whose new memoir, Little Failure, came out last week. Shteyngart talks about the rise of a new “global fiction” and laments the fact that Russia “can’t seem to catch a break.”
The Giant of Myth
The late David Rakoff was a longtime Salon contributor, and to celebrate his memory, the site published an excerpt of his rhyming novel, Love, Dishonor, Marry, Die, Cherish, Perish, which came out today.
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Sound-Word Index: Say What You Really Feel
Emoticons are unbelievably passé, right? And GIFs are just too much work, right? It’s time to better utilize our technological advancements. Behold The Sound-Word Index, a project by Blanche de Lasa, Stina Gromark, and James Godwin that can use “sound, volume and rhythm” to “help to translate our emotions hidden behind our screens.”
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Is Humbert Humbert Jewish?
“What [Vladimir] Nabokov is actually doing in Lolita is deliberately drawing on all manner of anti-Semitic propaganda, from The Protocols of the Elders of Zion to Nazi caricatures of the Jewish ‘type,’ to create in Humbert Humbert the anti-Semitic cliché of legend, rather as, say, Chaucer draws on medieval misogynist writings to create in the figure of the Wife of Bath the archetypal shrew of his male audience’s nightmares.”
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