NPR’s Maureen Corrigan applauds Barbara Kingsolver‘s Lacuna for “single-handedly keeping consumer zest alive for the literary novel,” as “the only literary novel caught in the cross hairs” of the price wars waged by Wal-mart, Amazon, and Target against booksellers (the others being genre novels). As for the book itself: “I wish I could say she also deserves kudos for writing a spectacular work of fiction…”
Haruo Shirane writes for Public Books about writing and publishing in the age of English. As he explains it, “For those living in the Anglosphere, no barrier seems to stand between their world and the many other worlds that now appear at the push of a button. But for those outside that world, particularly in non-European countries, the literary and linguistic consequences of globalization in the age of English can often be severe.”
Helen Vendler is one of those rare scholar-writers who doesn’t adhere to a particular school of theory. In her new book of essays, she explains her view of criticism as distinct from both philosophy and scholarship, as a form of learning that’s inherently “unsystematic and idiosyncratic.” In Open Letters Monthly, Jack Hanson reads through the book. You could also read Jonathan Farmer on Rita Dove’s letter to Vendler.
What happens when a grown woman wears a ton of Axe body spray? The question is nightmare fuel, but Slate’s Dahlia Lithwick -- in what can only be described as a heroic act of journalism -- doused herself in America’s most notorious fragrance for a week to see how it felt.
Recommended Reading: This beautiful essay from The Rumpus on the ambivalence of Jewishness and a whole lot more nuance than this Curiosity can communicate. Here's an essay by Gabriel Brownstein from The Millions on what it means to be labeled as a Jewish writer.