At the Morgan Library in NYC: “A Woman’s Wit: Jane Austen‘s Life and Legacy.” Read the NY Times review of the show here. And, if your hankering for eighteenth and early nineteenth century English art isn’t sated by the Austen, the Morgan is also offering “William Blake‘s World: ‘A New Heaven Is Begun'”.
Rafael Alcides Perez, one of Cuba’s most renowned poets and public intellectuals, has resigned from the Association of Cuban Writers and Artists because of “government restrictions he is being subjected to,” reports the Havana Times. You can read some of his work (in Spanish) over here, here, and here.
A couple weeks ago, Brian Ted Jones reviewed The Bone Clocks by David Mitchell, which “takes place on the margins of a grand, cosmic struggle.” Not long afterwards, at The Rumpus, Woody Brown offered a somewhat negative take on the book, arguing that Mitchell makes it too difficult for the reader to suspend her disbelief. You could also read Brown’s Millions review of Haruki Murakami’s new novel.
“First, humans domesticated the horse. Then, we invented analgesia for the horses while we got rid of God—eliminating pain while also eliminating pain’s previously greatest meaning. This made a lonely universe. We partially solved loneliness by inventing smartphones, but this also created our now endless distraction—which, fortunately, can be treated with Vyvanse.” Sasha Chapin for Hazlitt on his friend Rachel, who is living with a terminal illness.
Out this week: The Boat Rocker by Ha Jin; Martutene by Ramón Saizarbitoria; Black Elk by Joe Jackson; Float by Anne Carson; A Lowcountry Heart by Pat Conroy; and The Terranauts by T.C. Boyle. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.