The “Laptop Steering Wheel Desk” seems like a really bad idea. Then again, better that anyone inclined to use a computer while driving have a desk to put it on.
Innovations in Multi-Tasking
Gold in the New Millennium
Everything Ravaged, Everything Burned author Wells Tower tracks the Klondike’s modern gold rush in his typically comprehensive way.
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GIFs Can Be Serious, Too
There are a lot of funny and silly GIF blogs out there, but what if you’re more “serious-minded?” What if you want something more fulfilling out of 2012’s “Word of the Year?” Well, you’re in luck.
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Nevertheless the Artiste Persisted
“A quick scan of the literature shows that the writerly gaze has been most often turned on male artists and their creative processes and passions.” Claire V Mullins aims to redirect this gaze with a list for Electric Literature of 11 novels about female artists, including Zadie Smith‘s latest, Swing Time, which we reviewed last year. Related: Elizabeth Silver on the rise of strong female characters and the death of the literary ingénue.
Don’t Even Ask about the Goggles
Looking to show your fellow beachgoers just how rich and erudite you are? Then mosey on over to the Paris Review Store, where you can buy four pairs of nifty-looking swim trunks that each cost $320.
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Letters from the Artist as a Young Man
Jonathan Raban intersperses biographical information about William Gaddis in order to give the correspondence collected in his recently published Letters greater context. There are ample details about the author’s travels in his young adulthood, his artistic frustrations over the publication of The Recognitions, and, of course, many details about the women in Gaddis’s life. “In letters to his mother,” Raban writes, “Gaddis liked to depict himself as someone repeatedly smitten by beautiful women.” (Bonus: “The Letters of William Gaddis contains five letters addressed to me.”
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Philosophy’s Monster
Frankenstein was originally a philosophical novel, Michael Saler reveals in his review of The Annotated Frankenstein. Mary Shelley used her monster to comment on the terrors of the French Revolution, patriarchy, social justice, and slavery, he writes.
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