“I can tell you that, as of today, I don’t feel any different about Mr Whitehead, or his review, or my response.” Richard Ford doubles down on his reaction to a negative 2001 review by fellow novelist Colson Whitehead. (Said response, in case you missed it, was to tell Whitehead ‘you’re a kid, you should grow up,’ and spit in his face.) We hope Whitehead is laughing at home with his Pulitzer Prize, recently awarded for last year’s literary juggernaut The Underground Railroad. And as our own Emily St. John Mandel reminds us, there are far more gracious ways to respond to criticism.
At The Rumpus, Shawn Andrew Mitchell reviews Dark Lies the Island, the new short story collection by the Irish writer Kevin Barry. Mitchell quotes a number of the book’s more interesting idioms and perceives “an impolitic decadence to how Barry couples his words.” (Related: we interviewed Barry a few weeks ago.)
I can’t recommend John Jeremiah Sullivan‘s 7,000-word article on The Pale King highly enough – not because he gets everything right, but because it’s what long-form writing about books should look like: passionate, lucid, wide-ranging, and awfully fun to read. I salute GQ for running it, and hope to see more literary coverage there in the future.
In the latest issue of the New York Review of Books, Ice Trilogy author Vladimir Sorokin looks at the current events related to Ukraine, Russia, and Crimea, and notes that “the Russian state’s ‘vertical power’ structure” (which is to say “monarchical structure”) is what keeps the Russian people held “hostage to the psychosomatic quirks of its leader.”