Narrative Magazine announces its Fall 2009 Story Contest, open to fiction and non-fiction writers. Submission deadline November 30th.
“I’m trying to think of something really suitable to say. What do you think I should say? Look, you tell me what to say and I’ll say it.” That was Doris Lessing, who found out she’d won the Nobel Prize from a group of journalists who surrounded her when she was exiting a taxi. NPR has that great audio, plus other reactions of former Nobel literature laureates, including Toni Morrison, William Faulkner, and Mario Vargas Llosa.
Our own fearless editor-in-chief, Lydia Kiesling, admires Lessing, but felt rather differently about reading one of her most famous works, The Golden Notebook: “Among other things, she did an uncanny job of creating a malaise that was actually infectious. It oozed right off the page and into my own spirit.”
“Desire is transformative, and transgressive: whether it’s an unpeeled onion or a noble lover, to want something, especially for women, can never be entirely benign.” Kristiana Willsey writes about folktales, fairy godmothers, childless queens and hunger in a piece for The Toast.
“To use the lingo of their era, these novels are square. The protagonists have names like Jane and Barbara; they are not the misfits of which much teen literature is made but instead fundamentally good girls who long to fit in, and usually do … Viewed through the lens of contemporary culture, and especially contemporary teen lit, these girls should be boring and shallow. But Beverly Cleary’s supposedly ordinary girls are complex: resentful of their mothers one moment and sympathetic toward them the next, willing to do anything for one special boy but indignant when they’re taken for granted.” On the unexpectedly complex nature of Beverly Cleary’s boring protagonists with Ruth Graham at Slate.